- Rig Rundowns
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The Tupelo is a breakthrough amplifier rooted in the same lost designs as his brother "Lil Elvis" only based on a 6V6 power section. The unique circuitry of the "Elvis" circuit creates a platform that reveals the true character of the power tubes to a surprising level. The 6V6 power section changes the character of the Elvis front end to sound like outstanding examples of American circuitry from the late 50's through the mid-sixties while at the same time removing all the bad behaviors of those old amps. The Tupelo is a must for players whose ears are tuned to American circuits and sounds. Equally comfortable in every music genre, the Tupelo is a super-versatile cousin to the Lil Elvis with more power, an astonishing vocabulary, touch sensitivity and harmonic richness. Again loaded with 65's "Master Voltage" circuitry to make the Tupelo comfortable at any volumes from Bedroom to Coffee House to Small Clubs to the Studio. The Tupelo also features as passive FX Loop, 2 speaker outs and 65's unique bias tremolo.
In 2005, Digitech crafted the original JamMan, over 6 hours worth of material could be stored on a removable media card. Now, DigiTech? they have the new JamMan Solo Looper/Phrase Sampler with the ability to store 35 minutes of CD-quality loops in 99 internal memories as well as having an SD memory card expansion slot giving you the ability to store over 16 hours of material in an additional 99 slots.The JamMan Solo is designed for guitarists and bassists packing a full-featured looper in a compact form factor.
The JamMan Solo features USB connectivity and will sync to DigiTechs free JamManager? software that organizes and saves your JamMan Solos loops to PC or Mac. JamManager also lets you quickly create custom JamLists to take to your gig.
Here, we get to see and hear from the Bones Vienna Chorus, the PZ-DI box and the F11 Tube Preamp for bass or acoustic guitars.
The Steelmaster has a '62 maple neck with a rosewood fingerboard, alder body with antique snakeskin finish and Arcane Inc. Jazz 90 (P-90 construction and tone in a Jazz Master housing) pickups.
The Steel O Matic has a Gator engraved top, pickguard and headcap. It features a '62 maple neck with a rosewood fingerboard and an alder body. It is loaded with Arcane Inc. singlecoils.
The Steelcaster has a perforated back, a '62 maple neck with a rosewood fingerboard. It has an Arcane Inc. pickups -- Tele (bridge) and a humbucker (neck).
The new models are the FSX720 and FSX730, which are both derived from the FG series. The FSX720 has mahogany back and sides, rosewood bridge and neck. Also, it features piezo electronics.
The FSX730 has rosewood back and sides, rosewood bridge and neck. Also, it comes loaded with transducer electronics.
The Soundblox Multiwave Bass Distortion features the same multi-band process that made the original Multiwave guitar pedal so popular, but this time, the Source Audio engineers adapted the process to compliment the unique frequency range of the bass guitar. Multi-band processing divides a signal into multiple bands then distorts them individually, giving musicians unprecedented levels of sound clarity and note articulation. Bassists can effectively combine complex chords and intervals with distorted tones?the Multiwave eliminates the mush and allows each note to ring clear and true.
Users have access to 23 distinct and modern sounding distortions that go far beyond traditional sounds. They range from normal, for a somewhat traditional distortion curve, to extreme foldback and octave settings for more aggressive and synth-like tones. Each distortion type is further customizable via the drive control, and separate clean and distorted level knobs. This advanced sound control alleviates the tendency for low-end reduction associated with most bass distortion units. The Multiwave Bass is also compatible with the Hot Hand? motion controller, adding even more expressive possibilities.
The Multiwave Distortion features 21 distinctive and modern effects not found on typical distortion pedals. Based on new proprietary algorithms, these range from basic overdrive sounds to aggressive synth-like, octave heavy and extreme foldback settings that go far beyond emulations of typical classic distortions.
The Multiwave Distortions unique Multi-Band mode divides the input signal into several frequency bands, which are distorted separately before being re-combined. Guitarists can play complex distorted chords and each note can be heard with absolute clarity. Several notes can feed back or drone simultaneously while a separate melody is played on top without the typical loss of volume associated with most of other types of distortion. The Multiwave Distortion is also compatible with the Hot Hand? motion sensor. When connected, Hot Hand controls the amount of gain.
The Soundblox Classic Distortion packs 4 tube amp and 8 fuzz box overdrive tones plus a Clean Boost/Tone mode into one compact and easy to use pedal. Unlike other products, which attempt to digitally clone, model or emulate vintage gear, the organic tones of the Soundblox Pro Classic Distortion are the result of a five-year listening study and iterative algorithm design process involving over 40 classic pedals and extensive artist evaluation. Plus, the Classic Distortion is Hot Hand? ready for even more expressive capabilities.
Amplitude modulation, otherwise known as tremolo, is arguably the first 'overt' guitar effect. Amplifiers with built-in tremolo began appearing by the late 40's, and became standard equipment by the late 50's. The first major style of music to adopt tremolo as it's own was surf music - groups like the Del-Tones, the Ventures and the Chantays combined tremolo with reverb to create the definitive surf guitar sound.
In 1961, the Fender Electric Instrument Manufacturing Company released a complex variation on the tremolo effect known commonly as harmonic vibrato. While not technically vibrato (frequency modulation), this new take on tremolo created an effect vaguely reminiscent of a rotating speaker. Due to it's complexity and cost, this form of tremolo was short lived, and no adequate substitute existed - until now.
ToadWorks Fat City is a Professional Series effect pedal consisting of two unique overdrive circuits, as well as an independently switchable boost. The overdrive has been designed to emulate classic tube amplifier sounds, and each overdrive circuit can be engaged separately or in combination, thus creating the unique "Fat City" sound.
The clean boost is re-routable via a mini toggle switch located directly above the boost pot. This allows you to place the boost in front of, or after the overdrive circuits, and it's all True Bypass.
The Budda MN-100 is a highly versatile, high-gain amplifier featuring three independent channels, a 100-watt power section driven by four 6L6GC tubes, and a preamp consisting of seven two-stage 12AX7 tubes. The MN-100 also features dual 5U4 rectifier tubes and a solid-state rectifier, with the patent-pending PowerPan? variable rectification control that allows players to open uncharted tone territory by selecting full tube rectification, diode rectification or anywhere between the two.
All three of the Budda MN-100's independent channels?Clean, Rhythm and Lead?include separate three-band EQ, Reverb, Resonance, Presence, and true bypass effects loop with send and return levels. Each channel also features Overboost, a stompbox-style lead boost that engages an additional tube-driven gain circuit to gives players a supercharged boost. The effects loop on channel 2 can also be used as a global loop for incredible versatility in effects routing. The included nine-button footcontroller digitally switches via MIDI all three channels, effects loops and Overboost functions, as well as Master Reverb and Master Boost, a second Master Volume control that can be used to boost the overall volume of the amp.
This multi-faceted, innovative amplifier found its aesthetic equal in the custom Italian leathers, signature dragon embellishments and metalwork of footwear designer Mark Nason (www.marknason.com). No stranger to the rock&roll lifestyle, Mark Nason's signature couture creations translate easily from Sunset Boulevard to center stage on the Budda MN-100 and MN-412.
The Budda MN-100 also features a half-power switch for operating the amplifier in either 50 or 100 watt mode. The back panel also features an amplifier chain section with power-amp inputs and a slave output, impedance selector and MIDI input and output for use in MIDI-switching rigs. The matching MN-412? cabinet features four Budda Phat 12 loudspeakers and Mark Nason leather covering.
The Medusa is a reissue of a popular pedal first built years ago by Red Witch's creator Ben Fulton. Upon popular demand, they re-released the Medusa which is a Chorus and Tremolo pedal that can work as either or a combination of the two.
The Titan Delay is an analog delay pedal with not one, not two, but three completely independent delay units. The Titan's triumvirate of time tantalizers allows you to create an array of truly unique and original delay sounds. Voiced for the ultimate analog styled sound, the Titan provides three 800m/sec delays. They use the classic analog delay compander to ensure the ultimate recreation of an analog flavored delay, which works hand in hand with their more contemporary delay engines.
First, we get to see the new Steve Vai UV77REMC has a five-piece maple/bubinga neck, basswood body, rosewood fingerboard and DiMarzio Blaze pickups.
Next, we get to see the new RGD models, which feature three-piece maple necks, basswood body and bound rosewood fingerboards. These guitars are specifically made with the drop-tune player in mind.
Lastly, we have the Ashula fret/fretless bass. This unique bass has a jatoba/ bubinga neck, light ash body, rosewood fingerboard and features the Mono-Rail IV bridge system. Also, it comes loaded with the Sonic Arch and Sonic Arch mini pickups.
Their new products include a slim and sleek portable recorder (DR-08), a Linear PCM Recorder (DR-2d) and a must for a recording junkie - the DP-008 Digital Portastudio.
StudioLive is truly a third-generation digital mixer. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
Here, in one portable device, are high-headroom XMAX? microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 (16.4.2) or 10 (24.4.2) aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more.
Create live mixes that glisten with clarity and detail?then record and enhance the performance with the power of StudioLive.
Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance. StudioLive revolutionizes music production, opening endless creative possibilities.
Studio One is a groundbreaking music creation and production application for Mac OS X and Windows XP/Vista that makes audio recording, MIDI sequencing, and audio mastering ridiculously simple right out of the box.
Its a creative environment built for intuitive use, speed, and efficiencyand yet its robust enough for the most complex productions. Its the DAW that a band of leading recording-hardware engineers and a team of industry-defining software-design veterans want to use for themselves. Its incredibly easy to use yet provides a wealth of professional features.
Far from just another music-production program, Studio One changes the rules of the game. Fresh code, innovative drag-and-drop MIDI mapping and plug-in management, auto-configuration with PreSonus hardware, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page that literally puts the whole project right in your hands are just a few of the compelling features of Studio One.
First up, the 8-string baritone, which has a truly unique voice, the 8-string baritone GS complements the baritones lower tonal range by pairing two octave strings with the third and fourth strings, adding a touch of upper-octave brightness without too much 12-string jangle. The result is a guitar with incredible tonal range, perfect for walking basslines and rich melodies. It features a solid Sitka spruce top and Indian Rosewood back and sides.
Next, we get to check out the Jason Mraz Signature Nylon model and the Dave Matthews Signature 914ce custom model with "Grux" inspired inlays.
Lastly, we get to check out some offerings from the Taylor Build to Order section. These guitars are one-off creations built by the Taylor upon request from direct buyers through the website or for dealers who wish to keep some BTO models in their stores.
First up, we check out the Orianti SE Signature model that has a korina body, maple top and neck with an ebony fingerboard. It also has a PRS-style trem and PRS humbuckers in both positions.
Next is the Swamp Ash Special Narrowfield, which is the first PRS production model to feature the new Narrowfield pickups. The Narrowfield pickups focus the string attack much like a singlecoil but are hum-canceling. The result is a new sounding pickup system, which blends features of single coil, soap bar, and humbucking pickups. The Swamp Ash Special is a 25th Anniversary model and features shadow bird inlays, anniversary headstock eagle and an optional maple fretboard.
The Dallas II is a 50-watt boutique amp well suited for the working musician. While the amplifier will support many musical styles, it is well suited for the single coil player as well as anyone looking for a high quality amp with plenty of head room to support their favorite pedals. The half hand-wired and half PC board construction allows for all the quality and sound of PRSs original Dallas amplifier, but the Dallas II fits comfortably into our Tuxedo line of amps. Like the original Dallas, the Dallas II provides the classic, balanced sounds of 6L6 tubes, huge sounding cleans, and moderate overdrive.
The PRS Signature amplifier is a further refinement of the PRS Original Sewell that has been tweaked to Paul Reed Smiths personal specifications. Paul Reed Smith describes this EL34 amp as the Original Sewell on steroids. It has a simple layout with the only controls being a Bright switch, Treble, Bass and Master Volume.