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May 2014

SNAMM 2010

Summer NAMM - Cordoba Guitars Fusion 12 Orchestra

July 14, 2010
PG's Joe Coffey is On Location in Nashville, TN, for the 2010 Summer NAMM Show where he visits the Cordoba Guitars booth. In this segment, we get to check out some of their newest models including the Fusion Series 12 Orchestra and 14 Maple.

The Cordoba Fusion Orchestra 12 is the first full body guitar in the Fusion series. It features Indian rosewood back and sides, a lightweight cedar neck, and an ebony fingerboard and the option of either a solid Canadian cedar or European spruce top. The multiple ringed rosette is made of 100% natural woods and inlaid by hand, along with the Maple and ebony purfling that outlines the soundboard. A light mahogany binding accents the body shape of the Orchestra, which is slightly altered from a traditional nylon string guitar. The tone is dark and punchy in the basses, with strong, round trebles and balanced mids.

The 14 Maple is very similar to the Fusion 12 Orchestra, but its differences include a joint at the 14th fret, flame maple back and sides, mahogany neck, and a single cutaway body configuration.
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Summer NAMM '10:Blackstar HT-Blackfire Gus. G Demo

July 13, 2010
PG's Rebecca Dirks is On Location in Nashville, TN, for the 2010 Summer NAMM show where she visits the Blackstar Amplification booth. In this segment, we get to see and hear from their newest distortion pedal - the HT-Blackfire Gus G. Signature.

The HT-BLACKFIRE is the first artist signature product by Blackstar, developed with influential guitarist Gus G. (Ozzy Osbourne, Firewind). It's a dual channel valve metal distortion pedal. The channels are named after the fan-favorite Firewind track "The Fire And The Fury." The Fire channel delivers a high gain classic distortion, while the Fury channel takes you to screaming lead and beyond.
With its black finish, orange and red LEDs, black grille and Blackstar designed Gus G. logo, the HT-BLACKFIRE looks as serious as it sounds.
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Summer NAMM '10 -D'Angelico Guitars Performance

July 12, 2010
PG's Rebecca Dirks is On Location in Nashville, TN, for the 2010 Summer NAMM Show where she visits the D'Angelico booth. In this segment, we get to check out two D'Angelico artists perform--Warren Battiste and Rick Stone.
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Summer NAMM '10 - Diamond Amps Positron Demo

July 12, 2010
PG's Rebecca Dirks is On Location in Nashville, TN, for the 2010 Summer NAMM Show where she swings by the Diamond Amplification booth. In this segment, we get to check out their newest head--the Positron.

This little Class A rocker is loaded with 2-EL84s and clocks in at 22 watts. It isn't as big or gnarly as its big brother Diamonds, but this is a no-joke tone machine with only two controls--Tone and Volume. It has crystal cleans, but it begs to be dimed so it can create some Mike Campbell-esque rock 'n' roll.
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Summer NAMM '10 - TV Jones Savalas Tele Bridge

June 30, 2010
PG's Rebecca Dirks is On Location in Nashville, TN, for the 2010 Summer NAMM Show where she visits the TV Jones booth. In this segment, we get to check out the new TV Jones Savalas Telecaster Bridge kit that allows Tele-lovers the chance to drop in Filter 'Tron pickups with minimal routing and damage to American Standard and vintage Telecasters.

For this demo, we have North of Memphis' guitarist Carl Bradychok.
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Summer NAMM '10 - Hardwire TR-7 Tremolo/Rotary

June 30, 2010
PG's Rebecca Dirks is On Location in Nashville, TN, for the 2010 Summer NAMM Show where she visits the Hardwire Effects Pedals booth. In this segment, we get to check out their new pedal--the TR-7 Tremolo/Rotary.

The TR-7 is a true stereo tremolo, rotary, and vibrato pedal. Tones range from traditional tremolo to a highly-detailed rotary cabinet. Vibrato effects finish the mix for the world's most advanced pedal of its kind. With its high-voltage operation, the TR-7 is at home both on a pedalboard or in the effects loop of an amp where standard pedals distort due to the large signal from the amplifier's loop. The TR-7 also features true stereo I/O allowing for complex connections and sounds with extreme flexibility.
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Summer NAMM '10 - Sonoma Wire Works GuitarJack

June 25, 2010
PG's Jordan Wagner is On Location in Nashville, TN, for the 2010 Summer NAMM show where he visits the Sonona Wire Works booth. In this segment, we get to check out their latest guitar-centric offering, the GuitarJack.

The GuitarJack connects instruments, stereo line inputs and microphones to the iPhone 3G, 3GS and iPod Touch (2nd generation) via 1/4 inch instrument and 1/8 inch stereo mic/line inputs. GuitarJack makes both level control and input monitoring possible when using a GuitarJack enhanced app like FourTrack.
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Summer NAMM '10 - Wechter Guitars Pathmaker Demo

June 24, 2010
PG's Andy Ellis is On Location in Nashville, TN, for the 2010 Summer NAMM show where he visits the Wechter Guitar booth. In this segment, we get to check out their first solidbody model--the Pathmaker SB Maple.

The Pathmaker SB Maple is a new solidbody from Abe Wechter, a luthier known for his forward-thinking acoustic designs. Equipped with dual Seymour Duncan humbuckers and Graph Tech's Ghost Acoustiphonic saddle-pickup system, this versatile guitar can move from scorching leads to shimmering, quasi-acoustic timbres with a flick of switch. Particularly exciting: It's the first production guitar to offer Seymour Duncan's Triple Shot pickup mounting rings, which have two mini switches that allow you to turn each coil on or off. As a result, you can quickly put the 'buckers in series, parallel, or a tapped single-coil configuration.
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NY Amp Show '10 - Bludotone Amps Hi-Plains Drifter

June 24, 2010
PG's Shawn Hammond is On Location at the 2010 NY Amp Show where he visits the Bludotone Amp room. In this segment, we get to check out their newest amp--the Hi-Plains Drifter.

The Hi-Plains Drifter is a single-channel, 150-watt amplifier with spring reverb designed for the bluesy rock players of the SRV and Eric Johnson school. Bludotone's Brandon Montgomery describes the amp's tone as "going from a sparkly, spankin' clean to a medium roar overdrive, but still retaining the guitar's original tone. Even though the amp is 150 watts, it still produces those overdriven tones at a reasonable volume... it doesn't have to be loud, but it sure likes to be loud."
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