Samick Motherlode

December 2014

October 2012

That Modern Country Sound

September 5, 2012
The guitar sound of modern country is 70 percent ’70s-style rock and 30 percent twang.
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The "Luthercaster" Esquire Wiring

September 5, 2012
Nicknamed the “Luthercaster,” this is the guitar I play onstage with our local Johnny Cash tribute band.
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Replacing the Soundboard on a 1977 Martin D-35, PT. 2

September 5, 2012
After concluding that the damage was so severe that the top could not be restored without compromising the guitar’s sound—not to mention its looks—I began the process of outfitting this fine instrument with a replacement soundboard.
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Peavey Fury 6 Bass

September 5, 2012
This Fury is my go-to bass! I love it and I’m interested in the history of Fury basses, but there appears to be some different variations.
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More On Monitoring Sound In Your Studio

September 5, 2012
Let’s continue our discussion about what I consider to be the most critical component in a studio’s signal path for achieving great results: studio monitors.
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1962 Epiphone Emperor

September 5, 2012
Originally called the Zepher Emperor Regent, this model name changed to Emperor Electric in 1954.
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Guitars and Pop Culture

September 5, 2012
There have always been commercial products vying for consumer dollars via the lowest common denominator, and musical instruments are no exception.
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Zoom B3 Bass Effects and Amp Simulator Pedal Review

September 5, 2012
Zoom’s B3 multi-effects pedal provides an exhaustive set of tonal tools for bassists with 99 available stompboxes and 12 amp models onboard.
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