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February 2013

The Ultra-Flexible Esquire Wiring, PT. 1

January 9, 2013
Essentially, the idea is to squeeze as many useable sounds as possible from a single-pickup Esquire.
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Album Review: Brokeback - "Brokeback and the Black Rock"

January 9, 2013
Brokeback Brokeback and the Black Rock Thrill Jockey Keeping busy with his other bands, Tortoise and Eleventh Dream Day, it’s been close to 10 years since Douglas McCombs has released
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The Ergonomic Bass

January 9, 2013
The idea that one instrument can be optimized for all musical styles, situations, and players is an illusion, and many new luthiers have to learn this the hard way.
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1962 Gibson ES-350T

January 9, 2013
With its laminated maple top, back, and sides, the ES-350T was meant to be a more affordable version of the Byrdland.
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Interview: Double Naught Spy Car - Cheeky Twang Monkeys

January 9, 2013
Double Naught Spy Car''s Paul Lacques and Marcus Watkins on their hilariously heady blend of surf-informed jazz-noir instrumentals.
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PMC Guitars

January 9, 2013
Châteauneuf says that any form of art, be it architecture or African art, can be a source of inspiration for him.
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Interview: Duane Denison - Jazz-Punk's "Evil Andy Summers"

January 9, 2013
Jesus Lizard guitarist Duane Denison talks about the reunion of supergroup Tomahawk, his aluminum electrical guitar company Axes, and why he hates sustain.
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Recording King RO-310 Acoustic Guitar Review

January 9, 2013
Recording King’s new Adirondack-spruce-and-mahogany RO-310 is almost a greatest-hits fusion of popular OM and 000 features.
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Album Review: Ben Harper and Charlie Musselwhite - "Get Up!"

January 9, 2013
Ben Harper and Charlie Musselwhite Get Up! Stax Records For Ben Harper, the blues have always been within arm’s reach. His latest collaboration with bluesman Charlie Musselwhite, Get Up!, finally
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The Unplanned Obedience Test

January 9, 2013
One of the things I love about the musical-instrument business is how the market itself constantly outwits and torments manufacturers.
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