Samick Motherlode

December 2014

Acoustic Soundboard

Dad’s Old Guitar

February 10, 2012
It had been his dad’s guitar since the age of 16, when his uncle bought it for him around 1940 at a pawnshop in Roanoke, Virginia.
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Guitar Making: The Ultimate Hobby In Retirement?

January 10, 2012
Lutherie provides the opportunity to meet and get to know a whole bunch of interesting people who are sometimes quirky, but never stupid.
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Context is Everything

December 20, 2011
By now you may be thinking, “What is this story doing in a column about acoustic amplification?” It has everything to do with understanding and choosing the right gear for the job.
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Lemons to Lemonade

November 15, 2011
I have touched on the many challenges we and most other builders face every day, so when you’re at your job thinking, “I’d give anything to be making guitars all day long,” you will know that though it has its moments, it also has its moments—if you know what I mean.
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"The Right Look" in Guitars

October 18, 2011
Some of the guitars I see have that certain something (some don’t) and are visually appealing enough for me to approach and take a closer look.
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Amplifying a Solo Acoustic Performance

September 20, 2011
Equally important in making the proper choice is deciding on why you want to amplify in the first place.
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Guitar Builder or NFL Player ?

August 16, 2011
More and more young people have been coming into our shop lately, wondering how to prepare for a career as an instrument maker. Should I be the voice of reason and advise them to pursue a less exclusive career path, like the NFL?
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Acoustic Amplification, Pt. 1

July 19, 2011
A quick look at today’s guitar market shows that acoustic guitars are still outselling electric guitars, and that roughly half of the acoustics being sold have pickup systems already installed by the manufacturer.
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A Day in the Life of a Luthier

June 14, 2011
Mark Dalton takes you from open to close as the head of Huss & Dalton
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Tracking the Steel-String Guitar’s Evolution, Pt. 3

May 17, 2011
To truly understand the flattop and its sonic place in the extended guitar family—a lineage that stretches back to the lute and even the oud—it’s important to listen to
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