Magnatone Giveawya

August Issue

Guitar Tracks

Keeping the Peace, Pt. 2

April 15, 2013
In the real world, achieving a truly soundproof space is extremely difficult and extremely expensive.
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Keeping the Peace

March 11, 2013
Sound control is a real problem for all musicians.
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Addressing Home-Studio Hums

February 4, 2013
I’ve received a flurry of questions from readers lately, so for this month’s column, I thought I’d share my responses to a handful of them in hopes that we can
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How Should You Record?

January 9, 2013
When considering using a commercial studio versus a home studio, you have to weigh the benefits and costs.
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DAW Collaboration Roulette

December 10, 2012
Exchanging DAW files with collaborators can be a frustrating challenge
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Choosing Essential Plug-ins for your Studio

November 5, 2012
Convolution reverbs like Altiverb from Audio Ease create their effects by applying the characteristics of real rooms and halls to your signals. The V-EQ3 plug-in from Waves emulates the
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Choosing the Right DAW for Your Studio

October 8, 2012
LEFT: Ableton’s Live is an excellent tool if your productions use extensive audio and MIDI loops. RIGHT: A relative newcomer to the DAW game, Studio One from PreSonus offers
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More On Monitoring Sound In Your Studio

September 5, 2012
Let’s continue our discussion about what I consider to be the most critical component in a studio’s signal path for achieving great results: studio monitors.
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How to Choose Studio Monitors

August 10, 2012
Many musicians spend tons of time obsessing over microphones, mic preamps, and other gear, but then purchase whatever monitors present themselves without a second thought. Big mistake!
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Choosing Between Internal and External Microphone Preamps

July 9, 2012
1. Even a super-inexpensive mic preamp like the $39 Behringer Tube Ultragain MIC100 can provide useful coloration in the studio. 2. A channel strip—like the Joemeek threeQ—offers a one-stop
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