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Deep Blues: Robben Ford, Part 2

October 3, 2012
Explore Ford-style chord voicings and turnarounds.
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In the Cage - Prog-Rock Keyboard Solos for Guitar

September 19, 2012
Grab your elf ears, Dungeon Master''s guide, and 20-sided die, throw your pick to your Hobbit roadie and dig into some prog-rock shred.
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Digging Deeper: Playing by Ear - Learn It and Forget It

September 11, 2012
Learn how to practice allowing your ear to guide your melodic sense.
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Secrets of a Classical Cat: The Four Right-Hand Commandments

September 5, 2012
Develop speed, sound, and nuance in your fingerstyle playing by exploring the “secrets” of classical guitar technique—beginning with a great right-hand setup.
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Beyond Blues: Beck's Blues - The Early Years

September 5, 2012
Understand the fundamental elements of Jeff Beck’s style.
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Fretboard Workshop: Recycling Pentatonics

September 5, 2012
Delve into the world of the dominant pentatonic scale.
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Shred Your Enthusiasm: Aristocratic Arpeggios

September 5, 2012
Balance hammer-ons and pulloffs with picked notes to create a smooth sound.
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Blues Basics: 10 Essential Ways to Get Through the Blues

August 29, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Learn how to imply chord changes over a 12-bar blues. • Understand how to use the super Locrian scale. • Develop an
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Brent Mason Concepts and Techniques

August 20, 2012
Hybrid picking, double-stops, open string licks, and more.
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Beyond Blues: Diminished Capacity

August 10, 2012
I’ve always been a fan of Robben Ford, Larry Carlton, and more recently, Matt Schofield. Influenced by the jazz language, they will use more complex ideas but don’t sound brainy doing it.
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Acoustic Adventures: Open for Business

August 10, 2012
No longer relegated to beginner-level melodies or open-position chords, open strings can add sonic spice to your solos and make them come alive.
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Fretboard Workshop: Developing Vocabulary - Concepts and Motifs

August 10, 2012
Every guitarist should know the importance of a large vocabulary. You want to emote—you want to “speak” through your guitar in any given situation.
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Shred Your Enthusiasm: One, Two, Three, Four

August 10, 2012
If one had to choose the best “one, two, three, four” in all of recorded music, who would get the prize?
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Tom Kolb Rock Licks Vol. 1 Video Lesson

December 17, 2009
10 must-know licks in the styles of Berry, Hendrix, Page, SRV and more
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Bach Partita No. 3, Part 2

December 11, 2009
Mike Campese continues his take on an arrangement of a classical Bach piece
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Travis Picking: The Basics and Variations

November 18, 2009
Popularized by country legend Merle Travis, Travis Picking usually involves the thumb alternating between two bass notes while the fingers “fill in the holes” on the treble side.
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Chord Melody Concepts: Diatonic and Minor Third Substitutions

November 18, 2009
Jazz chord concepts: diatonic substitutions and minor third substitutions
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Octave Arpeggios: Stacking Triad Shapes to Span More Ground

November 18, 2009
Looking at triad arpeggios in major, minor, diminished and augmented
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Bach Partita No. 3

November 12, 2009
Mike Campese arranges J.S. Bach''s "Partita No. 3," a composition usually played on violin or classical guitar, for electric.
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Legato Exercises

October 21, 2009
Rusty Cooley offers up some exercises to perfect your legato technique
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