Samick Motherlode

December 2014

Jazz

Concepts and Techniques: Jim Hall

June 27, 2013
Dig into some of the soloing and comping techniques used by jazz master Jim Hall.
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Album Review: Jane Miller - "Three Sides to a Story"

June 20, 2013
Miller ably composes her way through a spectrum of styles, including traditional-sounding jazz, peaceful folk, and quirky blues.
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Interview: John Scofield - Uncle John’s Electro-Jam Band

June 20, 2013
Combining a jazz concept with an electronic-influenced vocabulary, John Scofield takes us behind the scenes of his new album, "Überjam Deux," and dishes on everything from relic’d guitars to Dead tunes.
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Interview: Ronnie Earl - Blues Shaman

June 12, 2013
It’s all about spirit for the Broadcasters’ leader—from channeling mentors such as John Coltrane and Hubert Sumlin, to battling inner demons, to releasing good vibes from the stage to his audience.
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Interview: Martin Taylor and Tommy Emmanuel: Duo de Swing

May 28, 2013
Taylor and Emmanuel discuss the art of solo guitar, ’70s pop music, and why guitar education is near and dear to both of them.
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Album Review: Gilad Hekselman - "This Just In"

May 11, 2013
Hekselman not only embraces the freedom of the format, but also excels both as an improviser and composer.
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Beyond Blues: 12 Keys, Five Shapes, and the Blues

April 2, 2013
Understand how to visualize chord shapes all over the neck and learn how five simple arpeggio shapes can unlock 12 keys.
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Album Review: Boz Scaggs - "Memphis"

February 4, 2013
Boz Scaggs Memphis 429 Records Boz Scaggs is musically complicated. For Memphis, he brought on producer Steve Jordan (John Mayer) who also plays drums on the album, and the rest
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Interview: Double Naught Spy Car - Cheeky Twang Monkeys

January 9, 2013
Double Naught Spy Car''s Paul Lacques and Marcus Watkins on their hilariously heady blend of surf-informed jazz-noir instrumentals.
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Interview: Duane Denison - Jazz-Punk's "Evil Andy Summers"

January 9, 2013
Jesus Lizard guitarist Duane Denison talks about the reunion of supergroup Tomahawk, his aluminum electrical guitar company Axes, and why he hates sustain.
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