Magnatone Giveawya

August Issue

Jazz

Fretboard Workshop: Recycling Pentatonics

September 5, 2012
Delve into the world of the dominant pentatonic scale.
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Album Review: Pat Metheny - "Unity Band"

July 9, 2012
Pat Metheny Unity Band Nonesuch Records Over the course of a 30-plus year career, Pat Metheny has experimented with every possible combination of instruments you could think of. With his
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Interview: Wayne Krantz - Inside the Beat

June 27, 2012
The jazz-fusion guru discusses his new star-studded album Howie 61.
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Jazz Bootcamp: Breaking Down Minor II-Vs

June 18, 2012
The minor IIm-V7-Im progression often has people guessing. But as soon as you start exploring some of the different modes of minor scales, you can find sounds that you won’t get from your basic garden-variety major scale.
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Jazz Chops: Arpeggio Blowout

March 27, 2012
Learn how to connect arpeggios in all 12 keys and play ascending and descending shapes all over the neck.
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Album Review: Will Bernard - "Outdoor Living"

March 9, 2012
Will Bernard Outdoor Living Dreck to Disk Records It’s hard to describe guitarist Will Bernard’s latest album, Outdoor Living, without using at least a few hyphens. Is it jazz-funk
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Album Review: Wes Montgomery - "Echoes of Indiana Avenue"

February 10, 2012
Wes Montgomery Echoes of Indiana Avenue Resonance Records The recordings on Echoes of Indiana Avenue show an artist still developing a musical voice while on the verge of taking the
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Album Review: Sean McGowan - "Sphere"

January 10, 2012
It takes a lot of brass to tackle the music of Thelonious Sphere Monk, and when the musician attempting this feat is a solo guitarist, well, that makes the challenge even more daunting.
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Album/DVD Review: Anthony Wilson - Seasons, Live at the Metropolitan Museum of Art

December 20, 2011
or the CD/DVD package Seasons, Live at the Metropolitan Museum of Art, he performs as part of a guitar quartet where the instruments are as heralded as the musicians.
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Digging Deeper: Bridging The Comping Gap

November 15, 2011
How to develop your own personal concept of accompaniment—or “comping,” as it’s known in jazz—from the perspective of rhythm first, and then harmony.
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