Samick Motherlode

December 2014

Jazz

Album Review: Andy Reiss, Ranger Doug, and Bobby Durham - "The Art of the Archtop"

November 15, 2011
If you’re a fan of classic archtop guitar, you’ll be delighted with this beautifully recorded and relentlessly swinging set of tunes celebrating the f-hole sound.
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Book Review: "Guitar Etudes: Warmup Excercises for Guitar" By Pat Metheny

October 18, 2011
. Jazz guitarist Pat Metheny recently released a book of guitar etudes that outlines what his typical pre-gig routine entails.
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Jazz Bootcamp: Pianist Envy

September 7, 2011
Trying to replicate what you hear on an Oscar Peterson or Bill Evans album can be a daunting task for any guitarist.
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CD Review: Various Artists - "The New Universe Music Festival 2010"

July 19, 2011
Last November, in a theater in North Carolina, some of the greatest jazz/rock musicians alive came together for the inaugural New Universe Music Festival.
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CD Review: Ben Allison - "Action-Refraction"

May 17, 2011
Ben Allison Action-Refraction Palmetto Records Combining seemingly unrelated genres or interpreting songs in an unusual way is nothing new or groundbreaking, but bassist Ben Allison’s new release, Action- Refraction, is
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Extend Yourself: Upper Extensions of 7th Chords

March 28, 2011
While upper extensions apply to all keys and several different chord types, today we’ll be looking at those of Gm7.
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Jazz Chops: Delicious Comping 101

March 24, 2011
“Comp” means not only to accompany, but also to complement. It’s the “complement” part that I’m going to focus on here.
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Chord-Melody Improvisation: Solo Jazz Guitar Arrangement Over the Chord Changes of "Indiana"

December 21, 2010
Solo Jazz Guitar Arrangement Over the Chord Changes of "Indiana"
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Jazz Turnarounds: Improvisation Studies Based on the Last Two Measures of a Jazz-Blues Progression

November 16, 2010
Improvisation Studies Based on the Last Two Measures of a Jazz-Blues Progression
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Jazzy Chromatics: Embellish Your Single-Note Lines by Using Chromatic Motion Between Chord Tones

October 20, 2010
Common lines highlighting chromatic motion between the fifth and sixth degree of the major chord
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