Magnatone Giveawya

September 2014

Rosewood

Recording King RO-310 Acoustic Guitar Review

January 9, 2013
Recording King’s new Adirondack-spruce-and-mahogany RO-310 is almost a greatest-hits fusion of popular OM and 000 features.
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Review Demo - Martin OM-28E Retro

December 3, 2012
Read the review here.
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Martin OM-28E Retro Acoustic Guitar Review

November 5, 2012
With the OM-28E Retro Acoustic Guitar, there’s no denying that Martin and Fishman have created a formidable stage and studio instrument that bristles with pure Martin beauty and vintage glow.
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Larrivée OM-10

October 8, 2012
TOP: With its quality tonewoods, high-end appointments, and detailed inlay work, a pre-owned Larrivée OM- 10 is a relative bargain considering its current value of $1,600 to $2,000. BOTTOM:
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Gibson J-45 Purevoice Custom Limited Edition Acoustic Guitar Review

October 8, 2012
The Gibson J-45 PureVoice Custom Limited Edition isn’t cheap, but it''s a versatile guitar that can grow and move with you through a multitude of styles and performance situations.
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Replacing the Soundboard on a 1977 Martin D-35, PT. 2

September 5, 2012
After concluding that the damage was so severe that the top could not be restored without compromising the guitar’s sound—not to mention its looks—I began the process of outfitting this fine instrument with a replacement soundboard.
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Replacing the Soundboard on a 1977 Martin D-35

August 10, 2012
This 1977 D-35 arrived at our shop with a big hole in its Sitka spruce soundboard and a bag of miscellaneous broken braces and slivers of spruce top wood.
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Taylor 710ce Rosewood Acoustic Guitar Review

May 11, 2012
The Taylor 710ce Rosewood is a great reminder of how good a Taylor can play, feel, and sound when there’s nary an amp or PA for miles around.
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My Gibson J-45 Skull Guitar

March 9, 2012
This was once a Gibson J-45—we think. Now, it looks like a cross between Edvard Munch’s painting “The Scream” and the townspeople in Tim Burton’s The Nightmare Before Christmas.
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1957 Gretsch 6022 Rancher

February 10, 2012
The Rancher was a 17"-wide jumbo acoustic with a triangular soundhole based on Gretsch’s earlier 125F, but with Western-themed decorations similar to the Chet Atkins 6120, 6121, and the 6130 Round Up.
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