Magnatone Giveawya

August Issue

Spruce

Musikmesse '13 - Cordoba D11 Steel String & C12 SP Nylon String Demos

April 18, 2013
Premier Guitar's Shawn Hammond is on location in Frankfurt, Germany, for the 2013 Musikmesse show, where he visits the Cordoba booth for a demo of their D11 Steel String & C12 SP Nylon String guitars.
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Breedlove Oregon Series C20/SMYe Acoustic Guitar Review

April 15, 2013
Bound to appeal to a wide swath of fingerstylists and singer-songwriters, Breedlove''s new Oregon Series C20/SMYe has enough range to sound feather-delicate or downright propulsive.
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Jasmine Guitars Introduces New Lineup

April 8, 2013
Jasmine JD-39 CE Scottsdale, AZ (April 8, 2013) -- Jasmine is proud to introduce its re-engineered line of quality acoustic guitars that combine premium features and exceptional value. With
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PMC Guitars

January 9, 2013
Châteauneuf says that any form of art, be it architecture or African art, can be a source of inspiration for him.
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Recording King RO-310 Acoustic Guitar Review

January 9, 2013
Recording King’s new Adirondack-spruce-and-mahogany RO-310 is almost a greatest-hits fusion of popular OM and 000 features.
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Review Demo - Martin OM-28E Retro

December 3, 2012
Read the review here.
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Martin OM-28E Retro Acoustic Guitar Review

November 5, 2012
With the OM-28E Retro Acoustic Guitar, there’s no denying that Martin and Fishman have created a formidable stage and studio instrument that bristles with pure Martin beauty and vintage glow.
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Larrivée OM-10

October 8, 2012
TOP: With its quality tonewoods, high-end appointments, and detailed inlay work, a pre-owned Larrivée OM- 10 is a relative bargain considering its current value of $1,600 to $2,000. BOTTOM:
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Gibson J-45 Purevoice Custom Limited Edition Acoustic Guitar Review

October 8, 2012
The Gibson J-45 PureVoice Custom Limited Edition isn’t cheap, but it''s a versatile guitar that can grow and move with you through a multitude of styles and performance situations.
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Replacing the Soundboard on a 1977 Martin D-35, PT. 2

September 5, 2012
After concluding that the damage was so severe that the top could not be restored without compromising the guitar’s sound—not to mention its looks—I began the process of outfitting this fine instrument with a replacement soundboard.
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