Louis Electric

November issue is here!

Spruce

Martin Style Types

February 10, 2012
Style numbers indicate the construction materials and appointments of the guitar, and this system allows for several combinations between body shapes and styles.
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1955 Gibson J-160E

December 20, 2011
The J-160E was introduced in 1954 and had the more conventional look of the popular J-45 and Southern Jumbo models.
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1937 Martin D-28

October 18, 2011
More than 70 years after its first appearance, the dreadnought remains the most popular flattop body style among acoustic guitarists.
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Yamaha A-Series A3M Acoustic Guitar Review

September 20, 2011
The A3M cutaway dreadnought reviewed here features solid tonewoods and an S.R.T (Studio Response Technology) microphone-modeling preamp, making this a guitar for serious gigging players, but at a price that won’t leave you destitute.
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1952 Gibson L-5

August 16, 2011
From the time of its introduction in 1922 until today, the L-5 has been considered one of the finest jazz guitars.
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Batson Guitar Co. No. 5 Acoustic Guitar Review

July 19, 2011
Evolution is slow in the guitar universe. And when you consider how many 50-year-old instruments—or even 150-year-old instruments—have come to represent design “perfection,” you can understand why. But while
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Gibson J-160E “Norwegian Wood”

July 19, 2011
The famous Beatles song off of Rubber Soul—as well as many others—was played on a J-160E during the mid ’60s.
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Bridge Work On A ’74 Gibson Flattop

July 19, 2011
I was concerned that the wafer-thin bridge would develop cracks between each bridge-pin hole—and also possibly bust out at the front.
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Simon & Patrick Woodland Pro Folk Sunburst Acoustic Guitar Review

July 13, 2011
This solid wood, Canadian-built acoustic is impressively priced around $750. However, it''s the interesting body size and neck profile that have the potential to drive your playing to new places.
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Replacing the Bridge on a '74 Gibson Flattop

June 14, 2011
As I was examining the guitar, my eyes were drawn to six black bridge pins protruding from its wafer-thin rosewood bridge and strings that were sloping over a rickety, bottomed-out plastic saddle.
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