August

Combo

Kustom K 100

January 9, 2013
Probably best known for their unique tuck-and-roll amp covering that was offered in a variety of sparkly colors, Kustom was one of the first amp manufacturers to find success with solid-state technology in the 1960s.
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Carr Bloke Amp Review

December 26, 2012
A powerhouse throwback to raunchy classic rock tones with Carr''s signature quality and responsiveness.
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ZT Amplifiers Lunchbox Junior Amp Review

December 10, 2012
Weighing only five pounds and armed with a couldn’t-be-easier control set, the solid-state ZT Junior sounds deceptively tube-like in terms of response and warmth.
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Beefing Up Channel 2 in Fender's The Twin

November 5, 2012
Found in backlines around the globe: Fender’s burly 100-watt, red-knob The Twin 2x12 combo. Photo courtesy of ampwares.com Hi Jeff, I have a couple of Fender The Twin amps:
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Andrews Amplification Para-Dyne 50 Combo Review

November 5, 2012
With its copious power and all the easy-to-use tone-control tools that it puts at your fingertips, the Para-Dyne 50 Combo is an amp that will have your back in just about any stage situation you can imagine.
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Tightening Up A 1972 Fender Deluxe Reverb

October 8, 2012
This 22-watt Fender Deluxe Reverb is one of the world’s classic 1x12 combos. Hi Jeff, I have a 1972 Fender Deluxe Reverb. It sounds great, so I don’t want
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Electroplex Rocket 35-EL Amp Review

October 8, 2012
The Electroplex Rocket 35-EL dishes out a slew of vintage Brit-tones in an impressively versatile, modernized package.
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1968 Rickenbacker 360/12

October 8, 2012
The 1968 360/12 pictured here has the features most often associated with classic Deluxe Rickenbacker models of the ’60s.
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Marshall JCM1-C 50th Anniversary Amp Review

October 8, 2012
The tube-driven circuit captures the original JCM800’s feel and aggressive tones astonishingly well, while letting you unleash molten overdrive at much more agreeable volume levels.
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Brunetti Singleman Amp Review

October 8, 2012
An excellent tribute to blackface Fenders in terms of tonality, Brunetti''s Singleman also features classy looks, roadworthy build quality, and a very reasonable price.
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Marshall JMP-1C 50th Anniversary Combo Amp Review

October 1, 2012
The JMP-1C is perfect for home recordists looking to add the coveted JMP growl and attack to their tracks, collectors looking for a usable and user-friendly piece of Marshall history, and those who are want the Super Lead sound back after putting their 100-watt heads in storage years ago.
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More Carvin Belair Mods

September 5, 2012
Let’s dive into two more mods.
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Music Man 112RD-50 Combo

August 10, 2012
I have an old Music Man amp and I’ve always wondered about the connection between Music Man and Fender amps.
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1968 Fender Telecaster Custom and 1967 Fender Solid State Super Reverb

August 10, 2012
The 1968 Telecaster Custom pictured this month has a custom olympic white finish with black binding.
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Reducing Output in a Carvin Belair 212

August 10, 2012
It is stock and the clean channel [channel 1] sounds great, but the dirty channel [2] is muddy.
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Taming A Fender Hot Rod Deville

July 9, 2012
Fender’s popular Hot Rod DeVille—a 60-watt 2x12 combo designed for portability and power. Hi Jeff, First of all, let me say I really enjoy reading your column every month
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Supro Brentwood

April 6, 2012
Your Supro Brentwood (Model 1650T) was produced in the mid-1950s and according to the 1955 Supro catalog, the Brentwood was “Supro’s finest amplifier with powerful-range tremolo.”
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Rare Bird - The Sound City Concord Combo

March 9, 2012
1. The rare Sound City Concord. This dual EL34 2x12 combo even sports an output level meter. 2. Yow! This tube socket has high-voltage burn marks between the pins,
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Fender Machete Amp Review

March 7, 2012
For players used to really big sounds, compact high-gain tube combo amps sometimes seem to demand too many tradeoffs to make the convenience and portability worth it. If you’re
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Souping Up A Fender Super 60

January 10, 2012
I recently purchased a Fender Super 60 1x12 with red knobs. I love this little monster’s clean sound and power, however, I’m not happy with the high-gain channel
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