Giveaways January 2015

January 15

Combo

Carr Bloke Amp Review

December 26, 2012
A powerhouse throwback to raunchy classic rock tones with Carr''s signature quality and responsiveness.
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ZT Amplifiers Lunchbox Junior Amp Review

December 10, 2012
Weighing only five pounds and armed with a couldn’t-be-easier control set, the solid-state ZT Junior sounds deceptively tube-like in terms of response and warmth.
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Beefing Up Channel 2 in Fender's The Twin

November 5, 2012
Found in backlines around the globe: Fender’s burly 100-watt, red-knob The Twin 2x12 combo. Photo courtesy of ampwares.com Hi Jeff, I have a couple of Fender The Twin amps:
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Andrews Amplification Para-Dyne 50 Combo Review

November 5, 2012
With its copious power and all the easy-to-use tone-control tools that it puts at your fingertips, the Para-Dyne 50 Combo is an amp that will have your back in just about any stage situation you can imagine.
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Tightening Up A 1972 Fender Deluxe Reverb

October 8, 2012
This 22-watt Fender Deluxe Reverb is one of the world’s classic 1x12 combos. Hi Jeff, I have a 1972 Fender Deluxe Reverb. It sounds great, so I don’t want
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Electroplex Rocket 35-EL Amp Review

October 8, 2012
The Electroplex Rocket 35-EL dishes out a slew of vintage Brit-tones in an impressively versatile, modernized package.
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1968 Rickenbacker 360/12

October 8, 2012
The 1968 360/12 pictured here has the features most often associated with classic Deluxe Rickenbacker models of the ’60s.
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Marshall JCM1-C 50th Anniversary Amp Review

October 8, 2012
The tube-driven circuit captures the original JCM800’s feel and aggressive tones astonishingly well, while letting you unleash molten overdrive at much more agreeable volume levels.
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Brunetti Singleman Amp Review

October 8, 2012
An excellent tribute to blackface Fenders in terms of tonality, Brunetti''s Singleman also features classy looks, roadworthy build quality, and a very reasonable price.
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Marshall JMP-1C 50th Anniversary Combo Amp Review

October 1, 2012
The JMP-1C is perfect for home recordists looking to add the coveted JMP growl and attack to their tracks, collectors looking for a usable and user-friendly piece of Marshall history, and those who are want the Super Lead sound back after putting their 100-watt heads in storage years ago.
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