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Marshall JCM1-C 50th Anniversary Amp Review

October 8, 2012
The tube-driven circuit captures the original JCM800’s feel and aggressive tones astonishingly well, while letting you unleash molten overdrive at much more agreeable volume levels.
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Brunetti Singleman Amp Review

October 8, 2012
An excellent tribute to blackface Fenders in terms of tonality, Brunetti''s Singleman also features classy looks, roadworthy build quality, and a very reasonable price.
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Marshall JMP-1C 50th Anniversary Combo Amp Review

October 1, 2012
The JMP-1C is perfect for home recordists looking to add the coveted JMP growl and attack to their tracks, collectors looking for a usable and user-friendly piece of Marshall history, and those who are want the Super Lead sound back after putting their 100-watt heads in storage years ago.
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More Carvin Belair Mods

September 5, 2012
Let’s dive into two more mods.
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Music Man 112RD-50 Combo

August 10, 2012
I have an old Music Man amp and I’ve always wondered about the connection between Music Man and Fender amps.
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1968 Fender Telecaster Custom and 1967 Fender Solid State Super Reverb

August 10, 2012
The 1968 Telecaster Custom pictured this month has a custom olympic white finish with black binding.
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Reducing Output in a Carvin Belair 212

August 10, 2012
It is stock and the clean channel [channel 1] sounds great, but the dirty channel [2] is muddy.
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Taming A Fender Hot Rod Deville

July 9, 2012
Fender’s popular Hot Rod DeVille—a 60-watt 2x12 combo designed for portability and power. Hi Jeff, First of all, let me say I really enjoy reading your column every month
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Supro Brentwood

April 6, 2012
Your Supro Brentwood (Model 1650T) was produced in the mid-1950s and according to the 1955 Supro catalog, the Brentwood was “Supro’s finest amplifier with powerful-range tremolo.”
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Rare Bird - The Sound City Concord Combo

March 9, 2012
1. The rare Sound City Concord. This dual EL34 2x12 combo even sports an output level meter. 2. Yow! This tube socket has high-voltage burn marks between the pins,
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Fender Machete Amp Review

March 7, 2012
For players used to really big sounds, compact high-gain tube combo amps sometimes seem to demand too many tradeoffs to make the convenience and portability worth it. If you’re
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Souping Up A Fender Super 60

January 10, 2012
I recently purchased a Fender Super 60 1x12 with red knobs. I love this little monster’s clean sound and power, however, I’m not happy with the high-gain channel
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The Mysterious Vox Pacemaker

January 10, 2012
Because the Pacemaker was entirely designed and built in the US, many enthusiasts don’t consider it to be a true Vox.
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Silvertone Amp-In-The-Case

December 20, 2011
This is the same guitar that Lenny Haise (played by Steve Zahn) plays in the movie That Thing You Do!, before the fictional band hits it big and purchases more expensive instruments.
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1986 Fender Super Champ Deluxe

September 20, 2011
The ’86 Super Champ Deluxe featured here is one of the last examples of the modern circuitry upgrades that were housed in a more traditional package.
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Tweaking A Carvin Nomad Combo

July 19, 2011
"When I dime the amp to get some nice power-tube overdrive, the sound gets a little spiky instead of turning big and round."
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1966 Fender Telecaster and 1969 Fender Vibrolux Reverb Amp

April 19, 2011
By 1966, the Telecaster had changed considerably from its early ’50s incarnation, while still retaining the same basic layout and function.
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Ask Amp Man: Bringing A Gibson Duo-Medalist Back to Life, Pt. 2

March 15, 2011
Last month we began renovating and modding a late-’60s Gibson Duo-Medalist combo belonging to Tommy Kirst. (You’ll find the first installment of this series, along with the amp’s schematic and
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Mesa/Boogie Mark IIB Combo Amp

January 17, 2011
An early 1980s Boogie Mark amp
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