Magnatone Giveawya

August Issue

What's New

Dissecting Distortion Pt. 3

February 8, 2008
In last month’s column, we looked at images of sound waves with and without distortion. I’d like to examine those photos again for some more analysis. In Figures 1
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1955 Fender Stratocaster

February 8, 2008
This guitar features a one-piece ash body with birdseye maple “D” shaped neck and clocks in at eight pounds. The neck and trem spring cavity are both dated “7-55”, and
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NAMM VIDEO: The Ultimate Single-Coil Guitar from Godin

February 8, 2008
Anaheim, CA (February 8, 2008) - There are some nice guitars out there with chameleon-like tendencies to adapt to different players who like different things. This is not one of them.
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Don’t Break the Chain(s)

February 8, 2008
Greetings, everyone! Before we meander down the signal chain any further, I thought that it would be a good idea to talk briefly about maintaining your chain and keeping
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Meet the MW1

February 8, 2008
Let’s take a look at a cool piece of gear that can help make better guitar recordings. Made by Creation Audio Labs in Hermitage, Tennessee, the MW1 Studio Tool
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Johnny Smith: Extraordinary Man, Extraordinary Guitar

February 8, 2008
Johnny Smith once said of himself that he wasn’t a jazz guitarist, but don’t believe it for a minute. Ever the humble, reserved homebody, Smith did as much as
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The Four Rs - Replicas

February 8, 2008
Hello and welcome back to the Low End, and our second installment of the four Rs: replicas. To begin, we should define replica. Is a replica something as simple as
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Re-amping for Perfect Tone

February 8, 2008
Re-amping is a two-stage process. First record a dry guitar signal through a direct box. Then route the signal out of your recorder, through a re-amp box and into
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1965 Rickenbacker Model 1993

February 8, 2008
Nothing says “the sixties” like a Rickenbacker 12-string electric guitar. After late 1963, when George Harrison of the Beatles received his first, rock n’ roll would never be the
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All Star Guitar Night: Rusty Cooley

February 8, 2008
In the circus world of guitar playing, the art of shred guitar occupies the role of sideshow attraction – other guitarists frequently look upon these light speed virtuosos and
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