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September 2014

What's New

Duesenberg Heartbreakers 30th Anniversary Mike Campbell Signature Guitar

January 9, 2008
In case you''re not up to speed on Duesenberg guitars, here''s a quick primer: founded by Dieter Gölsdorf, a leader in design and innovation for decades, Duesenberg makes instruments
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Boss DS-1 Mods

January 9, 2008
If you’ve been in a music store anytime since 1978, you’ve no doubt seen the ubiquitous orange Boss DS-1 Distortion pedal. Universally recognized as a good, inexpensive distortion pedal, you’ve
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1959 Gibson Flying V

January 9, 2008
Competition from other companies always pressed Gibson into coming up with some of its most innovative designs. The rivalry with Epiphone in the twenties and thirties spurred both companies
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1962 National Studio 66 Model

January 9, 2008
A great playing guitar with “Gumby” headstock and Brazilian rosewood fretboard. It’s Sea Shell Pink with a seashell-shaped pickup that sounds like a big Tele. Even the most jaded
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The Four Rs

January 9, 2008
Hello all and welcome back to The Low End. This month we’ll begin exploring the four Rs of vintage-style basses: refins, relics, replicas and reissues. But why are we
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Dissecting Distortion Pt. 2

January 9, 2008
Last month we talked about tube distortion and how overdriving a larger signal into a tube can cause it to distort. Keep in mind that these terms are often
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Ribbons 101

January 9, 2008
Let’s start this column out by taking a look at ribbon microphones and how they can help you capture some great guitar sounds. Don’t think they should just sit
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Time To Spruce Things Up

January 9, 2008
It’s a good time of year for doing some preventative maintenance on your PA gear. It seems like speaker cabinets always need touching up, problem cables need to be checked
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So You Want to Build a Guitar? Pt. 6

January 9, 2008
Cutting the nut slot and truss access. This month, we continue with day three of our build and go face up to do some routing. For those following along
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Rub a dub dub...Record in the Tub

January 9, 2008
I’m sure that at one point in your life, you have asked yourself, “How come every time I plug into my analog or digital multitrack recorder my tones really
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