Giveaways January 2015

January 15

Gear

Summer NAMM '10 - Randall Amplifiers RT503 Head

August 3, 2010
PG's Brett Petrusek is On Location in Nashville, TN, for the 2010 Summer NAMM Show where he swings by the Randall Amplifiers booth. In this segment, we get to check out one of their newest heads--the RT503.

The RT503 is a 50 watt, 6L6-loaded (can also come with EL34s), 3-channel amplifier. Its three channels include, Channel 1 - Classic Clean - from sparkling to highly overdriven, Channel 2 - Classic Overdrive - from mild grit to full saturation, and Channel 3 - Modern Overdrive - full hi gain tone. Each channel's controls include Bass, Middle, and Treble (Channel 1 has a Bright switch) and the master controls are Volume and Reverb.
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Summer NAMM - Santa Cruz Guitar 1934 D,OM,F Custom

August 2, 2010
PG's Brett Petrusek is On Location in Nashville, TN, for the 2010 Summer NAMM Show where he visits the Santa Cruz Guitar booth. In this segment, Santa Cruz's head luthier Richard Hoover shows us several of their models, including the OM, F Custom, 1929 OO, and 1934 D.

The 1929's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. It is made with a mahogany body, back, and sides and the neck is joined at the 12th fret.

In the 1920's, the Orchestra Model was originally intended to be a large guitar capable of being heard over other orchestral instruments, hence the OM name. Although it fit the bill, its relatively large body was soon eclipsed by the mighty dreadnought. Fortunately, the OM had secured its place in history as a powerful and versatile voice for public performance. Santa Cruz was among the first modern builders to reintroduce this now smaller bodied favorite at the beginning of the Eighties. Their practice of combining the most desirable attributes of old and new, rather than copying, made for a very successful introduction of the Santa Cruz Guitar Company to a whole new audience. The OM provides clean, loud mid-range and trebles that are complimented by a slightly predominate bass. It features an Indian rosewood body, Sitka spruce top and the neck joins the body at the 14th fret.

The secret to the often superior tone of vintage instruments lies in aged woods (crystallized resins) and the relaxation of tensions built-in during manufacture. This is exactly what we account for in our 1934 D Model. Brazilian rosewood cut in the 1930's, Adirondack spruce top and bracing from the same era and real hot hide glue, that sets glass-like and resonant, give us the foundation for an authentic vintage sound. By applying our singular tuning and voicing talents and taking our time to ensure a relaxed assembly, we consistently access the secrets to the 'Old Bone' sound. The original lacquer formula, nitro-cellulose, is composed of the same stuff as trees; we are protecting and enhancing the sound of the instrument with a fine coating of wood! It is the only choice to complement this heirloom quality guitar.
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NY Amp Show '10 - Cavey's Creations Guitar & Bass

July 30, 2010
PG's Shawn Hammond is On Location at the 2010 NY Amp Show where he visits the Cavey's Creations room. In this segment, we get to check out some of Cavey's (Matt Blake) Creations that include custom guitars and basses.

The new company showed off two basses and one guitar. Matt "Cavey" Blake says he gets most of his design ideas from his other passion in life—hot rod cars. The guitar model is called Nailed is a 25.5" scale with an all maple body and neck with a paudak and yellow heart fretboard. It has a unique neck design in that Blake describes as "not a neck-thru and not a bolt-on, it's my version of both—it really seems to work." The Low Rider bass has Nordstrand pickups and is built on a 35" scale. Matt also built the guitar stand holding Cavey's Creations.

Cavey's Creations neck design uses two different pieces of solid wood for the fretboard and neck, which is also connected to wood surrounding the pickups.
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GALLERY: Robert Kantor's Swarovski Guitars and Custom Collection

July 30, 2010
See new Robert Kantor Swarovski crystal guitars, along with some of the unique pieces from his collection.
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Molten Voltage Molten MIDI 2 Pedal Review

July 30, 2010
A programmable box that''ll have you experimenting and playing with your DigiTech Whammy IV in whole new ways.
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Rudy's Music - 1957 Kay Guitar, 1955 Silver Jet

July 29, 2010
PG's Adam Moore is On Location in New York City, New York, where he visits Rudy's Music. In this video, we get a sneak peek within Rudy's vaults located in his basement. Here, we get to see a vintage 1957 Kay guitar, a vintage 1955 Gretsch Silver Jet, and a vintage Sears Silvertone guitar that is matched with a hardcase that has a built-in amplifier.
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Summer NAMM - Fargen Amps Mini Plex MKII,Duo-Tone

July 29, 2010
PG's Brett Petrusek is On Location in Nashville, TN, for the 2010 Summer NAMM Show where he visits the Fargen Amps booth. In this video, we get to check out two of Fargen's amps--the Mini Plex MKII and the AC Duo-Tone.

The Fargen Mini Plex MKII features English classic rock and high gain crunch tones. It pumps out quality tone on par with a 50 or 100 watt Marshall, and maintains this tone at apartment/bedroom levels.

The Mini Plex MKII hand-wired tube amplifier delivers high-energy, cranked tube amp tone at quiet volumes with a mixture of great tube amp design, world-class custom components, and the amazing Kevin O'Conner Power Scaling technology. The power scaling circuit uses voltage manipulation (think variac) to control output volume and power tube overdrives without cutting high-end frequencies like an attenuator does, and allows you to run the amp anywhere from 12 watts down to below a 1/2 watt for the ultimate low volume jamming experience.

The Mini Plex MKII captures all of your favorite British high gain and classic rock tones with the help of our patented "Decade Switch" technology. The Fargen "Decade Switch" gives you 3 different classic sounds/gain structures and morphs between 3 completely different classic British preamp circuits ... the JTM45, Plexi JMP and JCM 800. It features EL34/KT66 /KT77/6550/6L6/5881/6V6 ECT tubes.

This new Fargen design features two channels of English vibe that will cover any and all of your EL84 Brit-tone needs. It all starts with the V15 channel. With its complex jangle and chime, it rings out for days with the perfect simplicity you expect from a classic AC-Brit style tube amp. It then follows with the throaty roar of the M18 Channel -- the perfect opposite of the V15 Channel. The Fargen AC Duo-Tone simply covers more sonic ground than any other 2 x EL84 tube amp you have heard, modern or vintage.
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Humidity Hassles

July 29, 2010
Tips for dealing with humidity in summer outdoor shows.
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Interview: Robert Kantor's Collection and Swarovski Guitars

July 29, 2010
Robert Kantor discusses his new Kantor Guitars line at Rudy''s music, plus his guitar collection and relationship with John "Crash" Matos.
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NY Amp Show '10-Eventide Eclipse V4 Model Updates

July 28, 2010
PG's Shawn Hammond is On Location at the 2010 NY Amp Show where he visits the Eventide room. In this segment, we get to check out Eventide's Eclipse V4 rackmount effects processor and its new Time Factor & Mod Factor software updates and some of its latest amp models, too.

Eclipse is one of the only effects processor to feature 24-bit digital conversion and 96kHz sampling. They've packed almost 100 algorithms into Eclipse along with a two effects block design. The dual routing configurations let you use Eclipse as two independent effects processors; ideal for the smaller, budget-conscious studio. The two effects blocks' inputs and outputs can be configured for stereo or mono. Or, select a preset that combines two algorithms or recursive combinations for big multi-effects without sacrificing quality.

here's quick, seamless pitch shifting including our innovative Micro pitch shift, which FOH engineers and vocalists have come to rely on for turning good vocal performances into great ones. Eclipse boasts no fewer than 11 reverberation algorithms plus four plex algorithms. Originally developed for Eventide's industry-standard Orville™ and DSP 7000 series, these reverbs have been carefully and faithfully transplanted into Eclipse. And all reverbs are true stereo in and out, not mono in, stereo out. The vast array of delays lets you design lush, dense soundscapes. You'll find band delays, chorus delays, comb delays, ducked delays, ring delays and pan delays. And with 20 seconds of memory per effects block, Eclipse is a looper's delight. It's easy to get lost in the 20-second mono loop, 10-second dual loops, 20-second reverse loop, and 10-second dual reverse loop. Remember, these looping presets running on one FX block leaves the other FX block available for adding texture or dimension.
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