Magnatone Giveawya

September 2014

Gear

Wampler Analog Echo Pedal Review

October 15, 2008
Brian Wampler’s “Analog Echo” is loaded with a digital delay chip, but with pure analog circuitry surrounding in order to achieve tape echo or Echoplex-type delay tones with a 650ms maximum delay time.
Read More

Demeter MB-2B Fat Control Mid Boost/Buffer Pedal Review

October 15, 2008
Achieving the long, violin-like sustain of a Les Paul is an uphill battle for many players. To achieve this sound without the aid of the infamous Gibson, guitarists have
Read More

Moollon Class A Boost Pedal Review

October 15, 2008
The very stylish, top-end Class A boost from Korean maker Geo Woo looks like it was designed by a tattoo artist turned silversmith
Read More

Dino’s Guitars Dynabox Pedal Review

October 15, 2008
A hybrid booster designed to enhance the tonal and dynamic properties of your guitar.
Read More

Electro-Harmonix Bass Metaphors Pedal Review

October 15, 2008
The Bass Metaphors is an all-purpose channel strip and distortion in one box made from lightweight aluminum.
Read More

Cusack Screamer Fuzz V2 Pedal Review

October 15, 2008
There are four controls on the MXR-sized unit: Level, Fuzz, Scream (distortion), and a 3- postion selector switch that allows you to choose different types of clipping diodes.
Read More

BSM RG (Rory Gallagher) Treble Booster Pedal Review

October 15, 2008
This pedal was developed to achieve the powerful sustaining punchy sound of the Strat played by Mr. Gallagher, who used it with a Rangemaster.
Read More

Visual Sound V2 Angry Fuzz Pedal Review

October 15, 2008
This fuzz is unique in that unlike the Octavia or other vintage pedals, the octave circuit here can be blended into or out of the fuzz sound. A pair
Read More

Geek MacDaddy British Ball Breaker Pedal Review

October 15, 2008
The Ball Breaker uses Burr Brown opamps along with Wima, AVX, and Nichicon capacitors.
Read More

ISP Technologies G-String Decimator Pedal Review

October 15, 2008
The Decimator uses Time Vector Processing, which instantly and accurately responds to all varieties of note durations.
Read More