Magnatone Giveawya

August Issue

How-Tos

Acoustic Adventures: Rhythm of the Heart - Tackling the Bridge in “Rhythm” Changes

December 18, 2012
Work on your internal timing with Pete Huttlinger''s arrangement of "I''ve Got Rhythm."
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Fingerstyle Boot Camp: “Bring a Torch, Jeanette Isabella” Arrangement

December 11, 2012
Learn this 16th-century French Christmas carol, in dropped D-plus-G tuning.
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Choosing the right Rig for the Gig

December 10, 2012
No two gigs are the same
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Humbucker Pickups in an Esquire, PT. 2

December 10, 2012
Fig. 1. Wiring diagram for 3-way operation of the Chopper T Bridge pickup. Diagram courtesy of dimarzio.com In last month’s column, we began exploring options for installing a humbucker
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How to Balance Pickups on Strats and Teles

December 10, 2012
Adjusting pickup height sounds simple, but pickups that aren’t adjusted properly can cause problems.
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DAW Collaboration Roulette

December 10, 2012
Exchanging DAW files with collaborators can be a frustrating challenge
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DIY: How to Set Up a Bass Guitar

December 10, 2012
Whether electric bass is your main instrument or you’re a guitarist who doubles on 4-string, it’s important to keep your axe in tip-top shape. In this handy guide, Nashville guitar tech and luthier Tony Nagy explains how the pros do a bass setup. As you’ll soon discover, it’s not hard to make your bass play and sound great. In this stepby- step tutorial, Nagy walks you through the entire process. With a few tools and some patience, you’ll get the job done right and—best of all—have the satisfaction of knowing you did it yourself.
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Future Rock: Demented Diminished

December 5, 2012
Understand the basics of the diminished scale and develop a more fluid legato technique with Justin Derrico''s latest lesson.
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Beyond Blues: Keeping it Simple with Blues-Scale Transitions

November 27, 2012
Learn to develop singable melodies to play over a blues.
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Deep Blues: Quartal Blues

November 14, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Learn the principles of quartal harmony. • Play three- and four-note quartal voicings. • Construct quartal harmony based on the Dorian mode.
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