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Lessons: Blues

Beyond Blues: 12 Keys, Five Shapes, and the Blues

April 2, 2013
Understand how to visualize chord shapes all over the neck and learn how five simple arpeggio shapes can unlock 12 keys.
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Beyond Blues: Chromatic Colors - How to Add Outside Notes to Your Lines

March 5, 2013
Learn about neighbor tones, enclosures, and develop some ear-twisting blues lines in this lesson about adding "outside" tones to your playing.
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Deep Blues: Wayne Bennett's Blues Haiku

February 26, 2013
One of Duane Allman''s biggest influences was Wayne Bennett. Check out this lesson on Bennett''s style and cop some cool licks for a medium-tempo shuffle.
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Beyond Blues: Understanding CAGED and the V Chord

February 6, 2013
Understand the basics of the CAGED system, learn how to move around the fretboard in all 12 keys, and create phrases that fit over the V chord in a blues.
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Beyond Blues: Keeping it Simple with Blues-Scale Transitions

November 27, 2012
Learn to develop singable melodies to play over a blues.
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Deep Blues: Quartal Blues

November 14, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Learn the principles of quartal harmony. • Play three- and four-note quartal voicings. • Construct quartal harmony based on the Dorian mode.
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Beyond Blues: Beck's Blues, Pt. 2

November 5, 2012
Chops: Intermediate Theory: Beginner Lesson Overview: • Understand the key elements of Jeff Beck’s unique style. • Learn how to use rhythmic motifs to create interesting phrases. • Create
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Style Guide: Uptown Blues

October 23, 2012
Explore what T-Bone Walker and others did in their solos and chord playing to achieve that uptown sound.
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Shred Your Enthusiasm: Blues-Rock Obstacle Course

October 8, 2012
Chops: Intermediate Theory: Intermediate Lesson Overview: • Add some blues firepower to your lick arsenal. • Become a string-skipping ninja. • Develop the skills to become a harmonic ninja
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Beyond Blues: Major/Minor Slight-of-Hand

October 8, 2012
True pros can be identified by how well their ideas sit in the groove and the quality of their melodic statements.
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