Louis Electric

November issue is here!

Lessons: Rock

Fierce Guitar: Intervallic Arpeggios

February 15, 2011
Dave Martone shows you how to combine an intervallic approach to playing arpeggios with some wicked hybrid picking
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Rhythm & Grooves: Open for Business

February 15, 2011
In this third and final part of our series, we’ll integrate some of the different forms we’ve discovered thus far and continue to blanket the fretboard with fresh chordal colors.
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Modal Workshop: Intervallic Structures

February 15, 2011
Alex Machacek shows you voicings to expand your chord vocabulary.
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Lethal Guitar: Mixolydian Madness

January 25, 2011
In the following examples we illustrate a basic Mixolydian scale, a 7th arpeggio or two and finally, examples of the minor five chord in melodic ideas.
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Groupings and Accents

January 17, 2011
What is the best way to increase picking speed when you seem to have hit the velocity ceiling?
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Super Locrian Improv: Jazz-Rock Fusion Applications for this Mode of the Melodic Minor Scale

January 17, 2011
A useful mode of the melodic minor is known as Super Locrian. This is the seventh mode of melodic minor.
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Triad Arpeggios Applied

January 6, 2011
Using triad arpeggios over a progression to make your playing more melodic.
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Combining Techniques

December 21, 2010
Creating new licks and sequences using string skipping, barring, and hammer-ons from nowhere.
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Tapping Technique: Bi-Dextral Hammer-Ons in the Style of Eddie Van Halen

December 21, 2010
Often referred to as two-hand tapping, this technique was revolutionized and popularized by Eddie Van Halen in the late 1970s (“Eruption,” 1978) and taken to extremes by guitarists such as Steve Vai, Joe Satriani, Jennifer Batten, and jazz great Stanley Jordan.
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Hybrid-Picking Pals

December 21, 2010
Hybrid picking combines the power and speed of flatpicking with some benefits of a purely fingerstyle approach
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