Louis Electric

November issue is here!

Lessons

Shred Your Enthusiasm: One, Two, Three, Four

August 10, 2012
If one had to choose the best “one, two, three, four” in all of recorded music, who would get the prize?
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8 Essential Steve Vai Licks

August 8, 2012
We show you some of the characteristic elements in Steve Vai’s playing, focusing on note choice, technique, and rhythms to get a better understanding of his unique approach and unmistakable style.
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Higher Ground: A Look at Guitar in Higher Education

August 1, 2012
PG rounded up professors from some of the top guitar programs around to discuss how the role of the guitar in higher education has evolved and how best to prepare for taking the next step.
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Diary of a So-Called Shredder: Symmetrical Dancing

August 1, 2012
Test your skills with some blazing licks incorporating the symmetrical diminished scale.
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Future Rock: Tap This!

July 25, 2012
Three killer licks that combine left- and right-hand tapping, legato techniques, and some sweep picking.
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Deep Blues: Robben Ford, Part 1

July 18, 2012
Take a look at a few key elements of Robben Ford''s technique in our latest Deep Blues lesson.
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Beyond Blues: Chicago Blues Primer

July 9, 2012
Chops: Intermediate Theory: Beginner Lesson Overview: • Understand the essential elements of Chicago blues. • Learn how to properly back up a harmonica player. • Create “looping” phrases that
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Digging Deeper: Polyrhythmic Fundamentals

July 9, 2012
Chops: Advanced Theory: Intermediate Lesson Overview: • Develop basic polyrhythmic techniques. • Learn how to superimpose different rhythms to make a “4-against-3” feel. • Understand how accents can imply
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Shred Your Enthusiasm: Stumbling Block Rock

July 9, 2012
Chops: Intermediate Theory: Beginner Lesson Overview: • Overcome the “major third” tuning barrier. • Create lines that use a threeover- four pattern. • Combine the Dorian mode and blues
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Fretboard Workshop: The 12-Tone Shuffle

July 9, 2012
Chops: Advanced Theory: Advanced Lesson Overview: • Understand how to create and use 12-tone rows. • Develop musical motifs by altering tone rows. • Combine string skipping and octave
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