Louis Electric

November issue is here!

Lessons

Detailed Diminished I

December 22, 2009
Learning the basics of the diminished scale so you can apply it to your playing
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Blues Endings: Common Tags to Bring the Song to an Effective Conclusion

December 17, 2009
A blues ending, often referred to as a blues tag, is a phrase usually executed by the person playing the final solo in a blues number, signifying the end of the song.
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Jazz Melodic Minor Scale: The Real Jazz Sound for Melodic Soloing

December 17, 2009
The jazz or “real” melodic minor scale is simply a major scale with a lowered 3rd degree.
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Fingerpicking Variations: Embellishing with Add-Ons and Drop-Offs

December 17, 2009
To vary a picking pattern, you can add notes to a basic chord, or drop notes.
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Bach Partita No. 3, Part 2

December 11, 2009
Mike Campese continues his take on an arrangement of a classical Bach piece
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Travis Picking: The Basics and Variations

November 18, 2009
Popularized by country legend Merle Travis, Travis Picking usually involves the thumb alternating between two bass notes while the fingers “fill in the holes” on the treble side.
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Chord Melody Concepts: Diatonic and Minor Third Substitutions

November 18, 2009
Jazz chord concepts: diatonic substitutions and minor third substitutions
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Octave Arpeggios: Stacking Triad Shapes to Span More Ground

November 18, 2009
Looking at triad arpeggios in major, minor, diminished and augmented
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Bach Partita No. 3

November 12, 2009
Mike Campese arranges J.S. Bach''s "Partita No. 3," a composition usually played on violin or classical guitar, for electric.
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Legato Exercises

October 21, 2009
Rusty Cooley offers up some exercises to perfect your legato technique
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