Samick Motherlode

December 2014

Lessons

Displaced Accents and Polyrhythms

January 14, 2010
Greg Howe shares a method to help in improvisation
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Pre-War Blues Licks: Swing/Jump Electric Lines a la Charlie Christian

January 14, 2010
This batch of licks comes from the swing jazz and jump blues era of the late 1930s and early 1940s.
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Exotic Scales: Infuse Exciting Sounds Into Your Solos

January 14, 2010
Hungarian, Hindu and Japanese scales to infuse flavor into your solos
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Chicken Pickin': Let Your Fingers Do the Clucking

January 14, 2010
Chicken pickin’ is a technique that involves muting notes, or choking them, to produce a percussive snap that, to many listeners, conjures up the sound of a chicken “clucking.”
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Bach Partita No. 3, Part 3

January 6, 2010
The third part of Bach''s Partita No. 3 has a beautiful harmony and some very challenging spots.
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Detailed Diminished I

December 22, 2009
Learning the basics of the diminished scale so you can apply it to your playing
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Blues Endings: Common Tags to Bring the Song to an Effective Conclusion

December 17, 2009
A blues ending, often referred to as a blues tag, is a phrase usually executed by the person playing the final solo in a blues number, signifying the end of the song.
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Jazz Melodic Minor Scale: The Real Jazz Sound for Melodic Soloing

December 17, 2009
The jazz or “real” melodic minor scale is simply a major scale with a lowered 3rd degree.
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Fingerpicking Variations: Embellishing with Add-Ons and Drop-Offs

December 17, 2009
To vary a picking pattern, you can add notes to a basic chord, or drop notes.
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Bach Partita No. 3, Part 2

December 11, 2009
Mike Campese continues his take on an arrangement of a classical Bach piece
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