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May 2014

Lessons

Beyond Blues: 12 Keys, Five Shapes, and the Blues

April 2, 2013
Understand how to visualize chord shapes all over the neck and learn how five simple arpeggio shapes can unlock 12 keys.
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Twang 101: Why You Should Care About Hybrid Picking

March 25, 2013
What in the heck is “hybrid picking” and why should you care? Learn how to unleash some picking-hand tricks, create open-string phrases and pedal-steel licks.
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Fretboard Workshop: Flipping Arpeggios - Creating New Sounds with Old Shapes

March 19, 2013
Bored with those same old arpeggio shapes? In this lesson we will breathe new life into some familiar patterns by simply changing the context.
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Rhythm Rules: Call-and-Response Funk Guitar

March 12, 2013
Create funky grooves in the style of James Brown, Fela Kuti, and Nile Rogers by developing a "call-and-response" approach to funk guitar.
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Beyond Blues: Chromatic Colors - How to Add Outside Notes to Your Lines

March 5, 2013
Learn about neighbor tones, enclosures, and develop some ear-twisting blues lines in this lesson about adding "outside" tones to your playing.
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Deep Blues: Wayne Bennett's Blues Haiku

February 26, 2013
One of Duane Allman''s biggest influences was Wayne Bennett. Check out this lesson on Bennett''s style and cop some cool licks for a medium-tempo shuffle.
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Twang 101: Double-Stop Tricks

February 19, 2013
Combine hybrid picking, open strings, and some Nashville "snap" to get the most out of your double-stop licks.
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Style Guide: Left-Hand Techniques

February 11, 2013
Learn how to get your fretting hand in shape with some exercises that will improve your dexterity, finger independence, and legato playing.
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Beyond Blues: Understanding CAGED and the V Chord

February 6, 2013
Understand the basics of the CAGED system, learn how to move around the fretboard in all 12 keys, and create phrases that fit over the V chord in a blues.
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Brad Paisley: Concepts and Techniques

January 30, 2013
Playing a pink Paisley Tele through vintage amps with multiple delays, Paisley has re-ignited country soloing. By combining wide intervals and chromaticism with pizzazz, he has enticed us to pry at how he’s pulling it off.
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