Magnatone Giveawya

August Issue

Reviews: Bass Gear

3Leaf Audio PWNZOR Bass Compressor Review

February 27, 2012
The PWNZOR optical compressor includes two modes for varying degrees of compression.
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Carvin Brian Bromberg B24P Signature Bass Review

February 10, 2012
The new B24P bass is one of the two models resulting from Bromberg''s partnership with Carvin (there’s also a 5-string version of the Bromberg bass), and it’s one hell of a tool for dishing out low-end rumble.
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Phil Jones Bass D-600 Head and Neo-Power 8B Cab Review

February 10, 2012
Check out Phil Jones’ website and you’ll see Jones is both an innovator and a knowledgeable bass player. His designs and approach to delivering sound have not only caught
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ESP LTD Vintage-204 Bass Review

January 31, 2012
From its humble beginnings as a supplier for custom replacement parts, ESP is one of a handful of guitar companies that has paid just as much attention to bassists
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Hartke Kilo and Hydrive 410 Amp Review

January 10, 2012
Hartke''s powerful new Kilo head features built-in compression, overdrive, muting, a slew of EQ controls, and multiple connection features.
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Hagstrom Viking Bass Guitar Review

January 10, 2012
Here we take a look at the semi-hollow Viking 4-string bass—a variation on the company’s 1960s Concord bass.
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Aguilar Tone Hammer 500 and SL 112 Bass Rig Review

December 20, 2011
In essence, the Tone Hammer 500 is based on Aguilar’s popular Tone Hammer pedal, combined with a class-D power amp.
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Ampeg GVT52-112 Amp Review

December 20, 2011
Ampeg’s new GVT series, which offers a power range more suited to clubs than Yasgur’s Farm, honors this oft-forgotten part of the company’s legacy with authentic vintage rock tone and styling.
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Brubaker JJX-4 Bass Review

December 20, 2011
Brubaker Musical Instruments has a reputation for exotic woods, innovative designs, and high-quality builds.
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Ampeg GVT15H Amp Review

November 30, 2011
Capable of the characteristic cleans and light overdrive that made its predecessors famous, the amp is also able to achieve high gain at less-than-ear-splitting volumes.
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