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May 2014

Reviews: Effects

Snark SN-10S Tuner Review

September 12, 2012
Snark Tuners have produced a more cost-effective pedal tuner that puts their legendary pitch accuracy into a gig-worthy enclosure
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Malekko Wolftone Chaos Pedal Review

September 12, 2012
The Wolftone Chaos is capable of tricks that make it more than just another fuzz with an unconventional voice.
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Z. Vex Sonar Pedal Review

September 5, 2012
The Z.Vex Sonar is a versatile tremolo pedal that''s capable of serving up tremolo tones from classic and familiar to maniacal.
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Zoom B3 Bass Effects and Amp Simulator Pedal Review

September 5, 2012
Zoom’s B3 multi-effects pedal provides an exhaustive set of tonal tools for bassists with 99 available stompboxes and 12 amp models onboard.
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Catalinbread Galileo Pedal Review

August 21, 2012
The combination of Catalinbread’s CB30 overdrive and Naga Viper (a Dallas Rangemaster clone) add up to a “Vox in a box.”
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EarthQuaker Devices Rainbow Machine Pedal Review

August 10, 2012
The huge range of unique, practical, and downright bonkers sounds within the Rainbow Machine makes it an ideal studio tool that can transform hooks and solos from ordinary to arresting.
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Rainger FX Dr Freakenstein Fuzz Pedal Review

August 10, 2012
While it’s easiest to envision it as a recording tool, the ferociously loud and cutting voice of the Dr Freakenstein Fuzz makes it a great candidate for live situations where you’re less interested in tonal purity.
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Mad Professor Golden Cello Pedal Review

July 9, 2012
As far as stompbox names go, “Golden Cello” is a lot to live up to—evoking thoughts of singing, harmonically rich tones, muted heavenly light, and a prized relic from
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Crushsound Farmer's Mill Pedal Review

July 9, 2012
Sometimes, in the quest for buttery, singing, and perfect diamond-like tones, you can forget about the twisted potential of stompboxes, how beautifully demented their creators can be, and what
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Wren and Cuff Caprid Pedal Review

July 9, 2012
The art of stompbox cloning is, at best, an inexact science. A lot of the most classic pedals vary wildly from specimen to specimen—mocking that pillar of empirical science,
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