December 2016

Reviews: Videos

Guild M-120 Acoustic Guitar Review

May 28, 2013
The beautifully balanced M-120 feels a little less soft in its response than most mahogany guitars this size and delivers lots of low-end output when you least expect it.
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Martin 000X1AE Acoustic Guitar Review

May 28, 2013
The 000X1 sounds like it was made for fingerpicking and it rewards a nuanced touch and inventive fingerstyle techniques.
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Loar LO-215 Acoustic Guitar Review

May 28, 2013
The LO-215 is a country-blues machine that's percussive and snappy with a nice midrange honk that’s just plain funky.
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Album Review: Alice In Chains - “The Devil Put Dinosaurs Here”

May 20, 2013
AiC is back with a slower-paced, but still hard-hitting album that features some of Jerry Cantrell's most masterful playing yet.
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Review Demo - Ibanez ES-2 Echo Shifter

May 17, 2013
Premier Guitar's Shawn Hammond runs the Ibanez ES-2 Echo Shifter through a range of sounds—from simple slapback delays to crazy sounds—in this Review Demo.
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Roland Cube Lite and Cube Jam App Review

May 14, 2013
Roland leverages the power of mobile devices in an attempt to create a more perfect practice amp.
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Taylor 518E Acoustic Guitar Review

May 11, 2013
For players who use a dynamic and generally light fingerstyle approach, the Taylor 518e is a wonderland of color, overtones, and rich, low-end throb that can make a solo composition sound massive and lend body to a spare band mix.
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Ibanez Echo Shifter Pedal Review

May 11, 2013
It''s the smart layout and functionality of the controls that make the Ibanez Echo Shifter a standout and help bridge the gap between modern stompbox practicality and the quirky joys of tape delay and analog synths.
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Review Demo - Boss TE-2 Tera Echo

May 8, 2013
http://www.premierguitar.com/Magazine/Issue/2013/May/Boss_TE2_Tera_Echo_Pedal_Review.aspx

Premier Guitar's Jason Shadrick demos the Boss TE-2 Tera Echo pedal for the May 2013 issue of Premier Guitar.
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Boss TE-2 Tera Echo Pedal Review

May 7, 2013
Using the company’s new MDP (multi-dimensional processing), Boss has made the TE-2 an especially dynamic delay, reverb, and modulation box that will satisfy adventurous guitarists, as well as the ambient crowd.
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Orange TH100 Amp Review

April 15, 2013
The dual-channel TH100 is a lesson in brutal simplicity that hearkens back to Orange’s golden era of no-nonsense designs with immense power.
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Diezel D-Moll Amp Review

April 15, 2013
The Diezel D-Moll is a 100-watt powerhouse that delivers crystal clean tones and smoldering overdrive from six ECC83 preamp tubes and a quartet of KT77 power tubes.
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EVH 5150 III 50-Watt Amp Review

April 15, 2013
Fender has once again joined forces with Eddie Van Halen to expand the 5150III amp family. This time the result is a smaller 50-watt version of the master’s signature amp.
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Engl Fireball 100 Amp Review

April 15, 2013
The Fireball 100 builds upon the simple, no-frills approach established by its 60-watt predecessor.
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Marshall JVM410HJS Amp Review

April 15, 2013
Joe Satriani’s signature 100-watt JVM410HJS builds upon the jack-of-all-trades JVM410H, and is designed to deliver five decades’ worth of Marshall tones from a single head.
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Randall Thrasher Amp Review

April 15, 2013
Randall’s all-tube Thrasher amp head is the company’s new flagship—the result of a recently forged partnership with boutique amp guru Mike Fortin.
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Blackstar Blackfire 200 Amp Review

April 15, 2013
The Blackfire 200 is Gus G’s signature amplifier, and it unites the extra firepower from the guitarist’s signature HT-Blackfire overdrive pedal with Blackstar’s Series One 200 head.
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Monsters of High Gain 2013

April 15, 2013
We''ve rounded up 7 fire-breathing, high-gain heads by Blackstar, Diezel, Engl, EVH, Marshall, Orange, and Randall.
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Takamine P3MC Acoustic Guitar Review

February 4, 2013
The new Japan-crafted Takamine P3MC is a fine example of how a stage-centric, amplification-oriented acoustic can be forward looking while retaining a lot of vintage-style sound and construction virtues.
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Teye Guitars R-Series La Gitana Bass Review

February 4, 2013
The wide neck and contour-less body of the Teye La Gitana might not appeal to every bassist, but its warm tonal palette and beautiful looks will likely please a number of players.
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