Giveaways

March

Reviews

Ear to the Ground: Parquet Courts’ “Black and White”

July 2, 2014
The Brooklyn indie rockers import ’90s sounds to fuel the fires of 21st-century paranoia and demonstrate how discordance can be anthemic.
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Ear to the Ground: Hiss Golden Messenger’s “Saturday’s Song”

July 2, 2014
Court & Spark cohorts MC Taylor and Scott Hirsch deftly avoid country mouse/city mouse clichés to craft a gorgeous Americana opus that’s an instant classic.
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Ear to the Ground: The Range of Light Wilderness’ “Perfect {the First Time}”

July 1, 2014
Just as Beachwood Sparks perfected the classic SoCal sound, this Bay Area trio captures the vibes of its home turf with a sublime gem of harmonious, psychedelic folk-rock.
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MXR M68 Uni-Vibe Review

July 1, 2014
An FET-driven vibrato and chorus that captures the sound and spirit of a classic.
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The Mean 18: British-Style 18-Watt Amp Kits from Mojotone and Tube Depot

July 1, 2014
We built two killer Marshall 18-watt amp clones from kits. Which sounds best? Which was more fun to make?
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Ear to the Ground: Robert Plant and the Sensational Space Shifters’ “Rainbow”

June 30, 2014
The Led Zep legend returns to rock ’n’ roll, but infuses it with Afrobeat and trance to create a sound that is simultaneously rootsy and new.
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Gibson J-15 and J-29 Reviews

June 27, 2014
Two new “slope-shouldered” acoustics offer new variations on a classic design.
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Ear to the Ground: James Williamson and Lisa Kekaula’s “I Gotta Right”

June 27, 2014
Motor City redemption! The Stooges guitarist and Bell Rays vocalist join forces for a ripped-to-shreds rendering of “I Got a Right.”
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Ear to the Ground: JOY’s “Confusion”

June 25, 2014
These acid-rockers are so addicted to psychedelia that they somehow got Hawkwind’s Nik Turner to appear on their upcoming album.
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Born Guitars OG Carve Review

June 25, 2014
Sustainable materials come together in a superlative electric.
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