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May 2014

Acoustic

Breedlove Guitars Focus SE Custom Walnut Acoustic Guitar Review

August 16, 2011
With its walnut back and sides and redwood top, the 25 1/2"-scale Focus SE has a recipe that’s hard to beat for this reviewer—and the tonewoods are just the start.
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Guitar Builder or NFL Player ?

August 16, 2011
More and more young people have been coming into our shop lately, wondering how to prepare for a career as an instrument maker. Should I be the voice of reason and advise them to pursue a less exclusive career path, like the NFL?
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1952 Gibson L-5

August 16, 2011
From the time of its introduction in 1922 until today, the L-5 has been considered one of the finest jazz guitars.
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Batson Guitar Co. No. 5 Acoustic Guitar Review

July 19, 2011
Evolution is slow in the guitar universe. And when you consider how many 50-year-old instruments—or even 150-year-old instruments—have come to represent design “perfection,” you can understand why. But while
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Gibson J-160E “Norwegian Wood”

July 19, 2011
The famous Beatles song off of Rubber Soul—as well as many others—was played on a J-160E during the mid ’60s.
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Acoustic Amplification, Pt. 1

July 19, 2011
A quick look at today’s guitar market shows that acoustic guitars are still outselling electric guitars, and that roughly half of the acoustics being sold have pickup systems already installed by the manufacturer.
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Bridge Work On A ’74 Gibson Flattop

July 19, 2011
I was concerned that the wafer-thin bridge would develop cracks between each bridge-pin hole—and also possibly bust out at the front.
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Simon & Patrick Woodland Pro Folk Sunburst Acoustic Guitar Review

July 13, 2011
This solid wood, Canadian-built acoustic is impressively priced around $750. However, it''s the interesting body size and neck profile that have the potential to drive your playing to new places.
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Michael Dunn Guitars

June 14, 2011
Canadian luthier Michael Dunn has spent most of his life experimenting with interior resonators.
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Replacing the Bridge on a '74 Gibson Flattop

June 14, 2011
As I was examining the guitar, my eyes were drawn to six black bridge pins protruding from its wafer-thin rosewood bridge and strings that were sloping over a rickety, bottomed-out plastic saddle.
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