Without much fanfare, Stomp Under Foot’s Matt Pasquerella has become one of the foremost Muff-clone specialists in the known universe. The Massachusetts-turned-Florida builder’s pedals certainly aren’t the flashiest. But
While it’s easiest to envision it as a recording tool, the ferociously loud and cutting voice of the Dr Freakenstein Fuzz makes it a great candidate for live situations where you’re less interested in tonal purity.
And though the Excalibur and Greta differ significantly in terms of look and function, each is a ticket to funky realms that can prompt inspiration and fresh thinking about tone, recording, and performance possibilities.
On "Americana," Young frees himself from the constraints of original material, focusing instead on the textures and raw, adrenal possibilities of his greatest band, Crazy Horse, and a fistful of American folk standards.
Can’t afford the thousands of bucks it’d take to visit the world’s biggest
gear show? No problem. Premier Guitar will take you there, show you
the goods, and spare you both the jet lag and the raging tinnitus.
Blueridge’s BG-2500 Super Jumbo, reviewed here, isn’t a strict reinterpretation of Gibson’s grande dame, it riffs on the concept in a positively celebratory way that looks fantastic and results in some very big and rich sounds too.
Amid uncertainty about
Sonic Youth’s future,
intrepid alt-rock pioneer
Lee Ranaldo plows ahead
with Between the Times
and the Tides—a solo LP
that finds the Jazzmastertoting
with Nels Cline and avantrock
composer Alan Licht
on songs that deftly bridge
pop, avant, and the singersongwriter
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