Once dismissed as might-as-well-be-paperweights in the Big Muff ranks, Sovtek-era Muffs have, over the last decade, become legends in their own right. The reverence is well deserved. Neo-psychedelic and
Without much fanfare, Stomp Under Foot’s Matt Pasquerella has become one of the foremost Muff-clone specialists in the known universe. The Massachusetts-turned-Florida builder’s pedals certainly aren’t the flashiest. But
While it’s easiest to envision it as a recording tool, the ferociously loud and cutting voice of the Dr Freakenstein Fuzz makes it a great candidate for live situations where you’re less interested in tonal purity.
And though the Excalibur and Greta differ significantly in terms of look and function, each is a ticket to funky realms that can prompt inspiration and fresh thinking about tone, recording, and performance possibilities.
On "Americana," Young frees himself from the constraints of original material, focusing instead on the textures and raw, adrenal possibilities of his greatest band, Crazy Horse, and a fistful of American folk standards.
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