Ibanez

Read the June issue today!

Articles by Victor Brodén

On Bass: Covering Your Basses, Pt. 2

May 9, 2014
It’s possible to coax a wide variety of tones from a single passive bass using only your touch and its onboard controls.
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On Bass: Covering Your Basses

March 25, 2014
If you’re serious about playing bass for a living, it’s important to be intimately familiar with a number of different musical styles.
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On Bass: Why Bassists Make Great Musical Directors

January 13, 2014
Does being at home between the rhythm section and the melodic instruments make bassists uniquely qualified to listen objectively?
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On Bass: Layering the Low End

November 28, 2013
Two basses on one song? The technique is more common than you may think.
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On Bass: Bringing It to the Stage

September 26, 2013
For bassists, it’s an ongoing challenge to bring the same precision to the stage that we’re used to delivering in the recording studio or during band practice.
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Don’t Get Mad, Get Even

July 25, 2013
When looking for a bass, the most important question for me isn’t if the instrument sounds great. It’s if it sounds even.
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The Muse and the Guitarists That Spark It

June 13, 2013
Three of my favorite guitarists that makes me want to grab my bass and make music every time I hear them play.
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Bringing Back the Fretless

April 15, 2013
Perhaps the saddest loss of a musical sound that was once frequently heard on the radio is the fretless bass.
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Bass Pedals: Basic to Playhouse

February 4, 2013
LEFT: Providing a big, warm, well-compressed tone with an option for extra distortion, this basic pedalboard setup covers the needs for 90 percent of my work. RIGHT: For solo-bass
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First on the Scene

December 10, 2012
Other players are supposed to be able to follow us. We set up chord changes like drummers set up sections of a song with fill. It is one of our primary functions. We always have to be first on the scene.
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