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This completely professional 32-channel, 8-bus analog console sacrifices nothing in sonic performance or features. The flagship Onyx mic preamps, British-voiced Perkins EQ, internally balanced Subgroup and Main buses, and high-headroom summing bus circuitry testify to that. There are also 8 stereo-linkable aux sends and 8 stereo aux input channels complete with 4-band Perkins EQ.Each channel has an Onyx mic preamp, 4-band Perkins EQ with hardware bypass, 48V phantom power, Mic/Line switch, 100Hz high-pass filter, polarity switch, 8 aux sends with Pre/Post switches, aux. stereo link feature, direct out on DB-25 connection, 4-segment LED level indicator, long-throw 100mm Panasonic fader, Mute and PFL Solo switches, and balanced XLR mic and 1/4" inputs, plus 1/4" insert.8-bus master section has 8 stereo aux inputs with 60mm faders, 4-band Perkins EQ, 8 aux. sends, 8 groups with 100mm faders, balanced 1/4 I/O, a 10 x 2 matrix, 4 mute groups, XLR talkback mic input, dual 100mm Main Mix faders, phones/monitor section, and 2 pairs of dedicated 12-segment stereo Main Mix and Solo LED meters, as well as power and rude solo indicators. more information »
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The Martin Grand J12-40E Special is an acoustic-electric guitar that adds a new dimension to the concept of the 12-string guitar. Martin Style "40" elegance adds gold hardware, a diamond and square-inlaid fingerboard, abalone rosette, and Style "45" inlaid headplate letters. This guitar features D-TAR Wave-Length Multi-Source electronics—with plenty of hard-strumming headroom—and a Geib-style case. more information »
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Genuine tube design. Operates at 300V HT. Cascaded tube gain stages. Hot rod your tube amp. Silent switching operation. All-tube tone control circuit. Pedals or hot' tube amplifier outputs. High integrity buffered bypass. Power supply included more information »
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The Blackheart Hot Head BH100H amp head takes the basic plug-and-play attitude of a world-class 100W workhorse head and puts just enough thoughtful features on it to make it the most flexible amp in its class, not to mention several classes up. Talk about corruptive power. Two Power Modes (Class AB and Class A) divisible by Pentode (full power) and Triode (half power) operation put 4 unique, classic and powerful voices right at your fingertips. And you won't need a Ph.D to get amazing tone—whether it's searing rock your face off at full volume riff work or plucky, responsive Class A blues when you're felling all deep and stuff.Awesome Power, Awesome Flexibility—Two simple switches open up an endless world of tonal possibilities. Class AB/Pentode: 100W of flesh searing power Class AB/Triode: 50W, tighter headroom, crisper gain, still hurts Class A/Pentode: 60W, lots of headroom before overdrive, nice and plucky Class A/Triode: 30W, less headroom, more responsive to your attack All this before you dial in a brilliantly tuned EQ section and reign it all in through the Master Volume and Master Presence controls. Two-Channels, Separate EQs: The Hothead has two channels (Loud and F'N Loud), each selectable by a mini toggle on the faceplate or remotely via the included footswitch and each voiced through its own, dedicated EQ section. No more switching from one sound to the same sound in the middle of your jam. Dial in two distinct voices and rock on.•The LOUD Channel (aka "One") is voiced to range from Crisp Cleans to Classic Rock and Heavy Blues tones. Controls: Drive, Level, Treble, Middle, Bass •The F'N LOUD Channel (aka "Two") is voiced to capture Classic Crunch to Sweet Overdriven Lead tones. Controls: Gain, Level, Treble, Middle, BassTube Effects Loop/Boost Function with Level Control Both channels share a Tube Driven Effects Loop that can be run in series or parallel modes (selectable by mini toggle more information »
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Specifically designed for rock guitarists, the George Dennis GD100 Wizard Distortion effects pedal offers a switchable combination of distortion effects (including metal distortion) and volume control. The GD100 has noise-free optical control for smooth effects changes. more information »
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SKU: GS2346753
VG-EC except repaired top and jack cracks, A-style, sunburst finish spruce top with f-holes, sunburst maple back and dark-stained rims, mahogany neck, white-bound 20-fret Brazilian rosewood fingerboard, pearl dot inlays, 1-1/4" nut width, ~13-7/8" scale, adjustable rosewood bridge, single P90 pickup mounted in top, single volume and tone controls, white-bound top and back, beveled b-w-b-w pickguard, clamshell tailpiece cover, Kluson Deluxe tuners with white-plastic buttons, replaced nut (original included), with SSC (black lining) (SN:V7625-13) (Mandolin Family Instruments) more information »
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The ML was created by Dean Zelinsky in 1977 to be the guitar with the ultimate sustain and tone. The striking asthetics combined with innovative design create an instrument that's sure to get you noticed onstage,in the studio and in the rehearsal space. F more information »
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Offset waist. Ultra-slim, fast-action maple neck. Full-range, bi-pole pickups. Adjustable bridge. more information »
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SKU: GS1875497
National's first 14-fret metal-body guitar, a Style O, patterned after a late '30s National. The body is nickel plated brass with a domed back, f-holes, etched Hawaiian scenes, and a "chicken foot" pattern coverplate. The neck is maple with a dot inlaid, bound ebony fretboard, 2-way adjustable truss rod and solid headstock with a National banner style inlay. The power comes from a National swirl-pattern spun cone with biscuit bridge. Includes a shaped wooden hardshell case. (Resonator & Hawaiian Guitars) more information »
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