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Gear Type: Effects
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SKU: GS4729
Very clean AD-80... this is my personal favorite of the various analog delay pedals out there. Call with questions. more information »
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The Electro-Harmonix Nano Muff Overdrive Effects Pedal revives the big sound of the 1969 classic Muff Fuzz effect in a compact, die-cast aluminum package. No complicated settings needed here: just the switch and a volume knob. Rugged construction and amazingly compact to save valuable pedalboard space! The red LED indicates when the effect pedal is switched on.You can power the Nano Muff Overdrive pedal with a 9V battery, or an optional 9V 100ma tip-positive AC adapter with an 1/8" plug. more information »
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SKU: GS1889936
The HD-3 Hot Drive provides the maximum distortion available in a stompbox while still retaining note clarity. The HD-3 allows you to easily create rich, singing harmonic feedback and can make your combo amp sound like a stack. more information »
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Gold-plated relays & switches. MIDI send & receive. Lehle LTHZ transformer. No hum Loops. Adjustable gain. Stereo. more information »
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SKU: GS1873206
MAP PRICED, ACTUAL PRICE WILL BE LOWER - Powerful, cutting overdrive with great definition (make your harmonics squeal like a pig!), output and gain controls for any tone at any volume, single tone control makes overall sound shaping simple. (Effects) more information »
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The Superfuzz takes a classic '60s fuzz design and adds resonance and tone circuits to create an amazing new array of tones. Using the Resonance sub-harmonic booster control, you can dial in aggressive and focused bottom end. And, you can use the Attack control to vary the gain from rich and creamy to outrageous.Unlike most fuzz pedals, Superfuzz has a unique Tone control with tons of range. In the center setting, you get a traditional fuzz tone. Or, turn it down for an extremely scooped mid sound. Crank it up and you've got a boosted midrange perfect for screaming your tubes! Guitar Player magazine says: "The Superfuzz flaunts tons of output and reacts well to picking dynamics . . . while making a little combo amp sound like it's pumping a big cabinet. Yeah!" more information »
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SKU: GS60963
This pedal is based on the 1960s British Dallas Rangemaster, which was needed at the time to give a treble boost to the dark British amps. This allowed them to get a sound more in tune with the time, as guitars were starting to become a loud, bold, lead instrument. This pedal is a type of BOOSTER, not really a distortion pedal nor a clean boost- it does modify your sound quite a bit. It excites certain frequencies and pushes your amp to allow it to create rich tube distortion. The pedal colors your tone, with a crunchy overdrive, boosting certain frequencies, and warming the tone with NOS germanium transistors. It does not have a lot of compression and sustain like most OD pedals, but a more open, raw sound.
This pedal has three tone settings from the tone switch, Center is a treble boost, the same as the original Dallas Rangemaster. UP is more of a full frequency range boost (MID setting). Down is a LOW range, more lower frequencies. Optionally we can install a push/pull switch for 2 more information »
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AdrenaLinn III from Roger Linn Design is a beat-synced multi-effects processor for guitar, keyboard or bass that combines 3 products in one: 1) A beat-synched multi-effects processor with exclusive Filter Sequencer What are beat-synched filter effects? Examples include tremolo, auto-pan, filter tremolo, flanger, chorus, rotary, vibrato and more, all in perfect synch to the internal drumbeats or to MIDI clock. That out-of-synch tremolo on your guitar amp won't seem as useful anymore. Plus you get innovative new effects including: • Random filtering, flanging or tremoloâ€'like a wah pedal that instantly switches to a new random position on every 1/8 or 1/16 note in sync to the beat. Or a flanger that switches to a new random frequency every 1/8 or 1/16 note. Or a tremolo in which each pulse level is randomly chosen, adding a syncopated rhythm to even simple chords. • Filter sequences: Looped 2-measure rhythmic sequences of filter tones in sync to the beat or to MIDI. Choose one of the preset sequences or program your own. A great idea generator. • Tremolo sequences: Looped 2-measure sequences of programmed volume pulses. Like that used in Green Day's "Boulevard of Broken Dreams". • Arpeggio Sequences: Looped 2-measure sequences of tuned resonances, as used in John Mayer's "Bigger Than My Body". • Delay Loops: Set the beat-synced delay to 1 full measure, then jam with yourself by playing chords over the first bar and solo over them on the next. You also get note-triggered filter effects like Auto-Wah, Talk Box simulator, Guitar Synth sounds, plus stereo reverb, compression, tuner and a completely transparent noise gate. And AdrenaLinn III's filters are warm and very analog-sounding with emulations of classic Moog and Oberheim synthesizer filter designs. 2) A superb amp modeler 40 superb models of vintage and modern guitar amps from Fender, Marshall, VOX, Mesa Boogie and more, including 4 more information »
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SKU: GS1873394
The original Lexicon JamMans go for silly money on the second hand market. Borrowing from that famous rack unit, Digitech has brought us this pedal version. Utilizes CompactFlash memory for up to 6.5 hours of record/loop time (with a 2GB card), store and save up to 99 loops which can be transferred to a PC via the removable memory card, XLR and 1/4" inputs, 44.1k sampling rate, 2 foot footswitches, power supply included. (Effects) more information »
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