| Results For: | Gear Type: Miscellaneous
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The Xenyx 1002 has 10 inputs and an FX send control for each channel. Assignable CD/tape inputs have been incorporated for routing flexibility. Behringer's innovative Xenyx mixers provide the home recordist and club musician with pristine sound quality and cutting-edge features for very little outlay. The new Xenyx Mic Preamp approaches the sound quality, transparency, headroom, and even the dynamic range of boutique-style, standalone mic preamps. Behring's neo-classic "British EQ" brings back the warmth and musicality of those 60s and 70s mega-console desks that made music history. more information »
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SKU: GS1874165
A bold acoustic-electric concert-sized, cutaway guitar ready to be plugged in and played out. Solid Sitka Spruce top, solid rosewood back and laminated rosewood sides with black bordered abalone rosette, abalone inlays and ivoroid binding. Redesigned to be lighter and more resonant, it features the all new L.R. Baggs Stage Pro pickup with EQ, volume controls, notch filter, phase, and a chromatic tuner with in-line mute. Full specifications follow the photos. (Flat-top Guitars) more information »
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Shure PGX Performance Gear - Go wireless, and sound like a pro! Includes PX4 receiver and PGX2/SM86 handheld transmitter/microphone. more information »
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The dbx dB10 is a passive direct box that features custom dbx mu-metal-shielded audio transformers, high-quality Neutrik connectors, and low-noise circuitry. The dB10 direct box includes a pad switch that accommodates instrument, line, and even speaker level signals. Take even more control of your sound by utilizing the dB10 passive direct box's polarity invert switch to set the phase relationship between the direct and the mic'd sound.As a professional, you don't have time for interference, so dbx includes a ground lift switch in the db10 passive DI box to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the db10's cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop the dbx dB10 direct box's solid, stable footprint, that keeps the dB10 box from being dragged around the stage. The dbx DB10 Passive Direct Box also has a uniquely contoured underside that allows secure stacking of multiple units. more information »
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SKU: GS1845424
VGC+ except for two veneer cracks leading from soundhole, plus needs work (replace missing saddle wire on bass side, clean strings, replace some strings as needed, clean and lube tuners, reseat loose foot in back, tune, etc. - sold AS-IS), 32 strings, 29 frets, dot inlays, Brazilian rosewood veneered top with oval soundhole, fancy engraved plate cover for guitar-style tuners, ~22" long, 12" wide and 1-1/2" deep, built in Washington, Missouri by this noted maker (no label, but it's identical to other labelled Schwarzer's we've seen), very cool, with wooden OHSC (Miscellaneous Instruments) more information »
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Cardioid Electret Condenser Mini-Gooseneck microphone. Features a 20" solid center gooseneck that maintains a neat appearance. more information »
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SKU: GS1875307
6-string grand auditorium, solid Sitka spruce top, solid ovangkol back and sides, soft (Venetian) cutaway, 1 3/4" nut width, white plastic binding, plastic rosette, large pearl dot inlays on fretboard, mahogany neck with ebony fingerboard, ebony bridge, Taylor Expression System pickup, 25 1/2" scale, satin finished body with gloss top, chrome tuners; hardshell case included. (Flat-top Guitars) more information »
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Automatic Transmitter Setup. Backlit LCD with timeout feature. Frequency and power lockout. 3-segment battery fuel gauge. 2 AA batteries (included) provide 8 hours of continuous use. 518 - 782 MHz operating range. more information »
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The AMT M51 mic has been designed for bass drum but works equally well in other applications such as boundary layer miking (conference, stage). The M51 is a bold direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. Its rugged construction of anodized aviation aluminum allows it to withstand high impact while being lightweight and non-corrosive. The AMT M-51 Bass Drum Mic is terminated with an XLR connector and includes a cast aluminum pre-amp which can be powered by phantom power. more information »
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Features a wide array of legendary Lexicon reverbs and effects including the return of Lexicon s prized Concert Hall reverb. Selectable, reversible reflection patterns, multimode filters, and infinity switches provide additional new capabilities. The CPU- more information »
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The Midas Venice 160 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas' first truly compact console built in response to customer demand. It does exactly what was asked for by providing high-quality sound for smaller conference or live-band applications, as well as effects returns or additional inputs in large, multi-console setups. It's or as part of a small, complete mobile system. It's also ideal for live acts that need to mix their own FOH and monitor sound from the stage and is compact enough to fit in cramped quarters.Midas has paid attention to the details that set their consoles apart, taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple yet intuitive outputs make overall configuration of the console extremely quick and easy.Legendary Midas Sound A console's sound can only be as good as its mic preamps. The Venice uses an updated version of the groundbreaking Midas XL3 microphone preamp with "long-tailed pair" circuitry. This gives Venice preamps ample headroom and gain for both mic and line-level signals without any pad or range switching. Frequency response and distortion For natural sound, a console must handle a very wide frequency range with the lowest possible distortion. Venice has a maximum input of +22dBu, enabling it to deal with the hottest line signals in a 15Hz- to 100kHz- frequency range. High-value EMI suppression filters shelter the signal path from external noise.Venice EQ Pure Performance Audio pros know it's not the number of pots that make an EQ section, it's the audible result. Accurately controlling and fine-tuning signals in the most musical way possible is crucial. Great EQ also provides the processing power to create personalized soundscapes without unwanted side effects. With Midas, the HF and LF filters won't interfere with the mid-band frequencies. All filters keep their g more information »
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These Nady PSW 18A self-powered subwoofers from the ProPower series pack a heavyweight punch with over 1100W each! They were developed using the expertise of professional sound engineers and working musicians. The PSW18As are ruggedly built, have exceptional sound, superior performance, and greater flexibility than any other subwoofer speakers in their price range. more information »
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The miniature Audix ADX40 Condenser Microphone is designed to hang overhead for applications such as group vocals, choirs, theatrical productions, and to capture room ambience. Known for clarity, resistance to feedback, and ease-of-use, the Audix ADX40 mic accurately captures and reproduces sound from a distance.The Audix ADX40 mic has a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other vocals or instruments on stage. The Audix ADX40 condenser mic is also available in a hypercardioid polar pattern for tighter pickup control. With a wide frequency range of 40 Hz–20 kHz, the Audix ADX40 microphone captures sound naturally with exceptional transient response.The Audix ADX40 is supplied with an attached 30' mic cable, external windscreen, wire hanger for positioning, and phantom power adapter. Manufactured with very high standards and tight tolerances, the Audix ADX40 Condenser Microphone has a machined brass body, field-replaceable capsule, and a variety of optional accessories. more information »
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The powerful Electro-Voice ZX1 is housed in a lightweight, durable, high-tech enclosure. The ZX1's enclosure geometry has been engineered to provide maximum rigidity and acoustic performance. The velocity-compensated port design overcomes the limitation of many small loudspeakers and enables exceptional low-frequency response without vent noise. The ZX1's long excursion, high-output, 8" woofer with weather-treated cone delivers smooth, low-frequency performance with exceptional reliability.A sophisticated crossover network integrates the ZX1 with the EV DH2005—a 1", exit-true compression driver with extended frequency response and high-output capability. Full-bandwidth overload protection is provided for reliable, long-term operation without audible effect. more information »
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A superior yet affordable amp for mobile DJs, working bands, club owners, and churches, the Crest CC 2800 Power Amplifier is built with tunnel-cooled heat sinks, variable-speed DC fan, and extensive protection circuitry for superior efficiency into difficult loads and power conditions. The robust CC 2800 amp boasts more power devices (16 per channel) than any competitive amplifier, plus a switched-rail class H output stage and triple-compound design to provide low distortion and excellent thermal stability. Utilizing a linear power supply the CC 2800 delivers stable high power output for running main systems, monitors and subwoofers. more information »
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