 |
SKU: GS9822
* AA spruce top * curly maple neck, back and sides * flat fingerboard, mandolin frets, MOP position dots * headstock inlay * w.b.w. bindings on body * simple white binding on fingerboard and headstock * nickel or chrome tailpiece and tuning machines (Gotoh) The mandolins are made of a solid European spruce and curly, or figured maple coming from German- Swiss border. The arched tops and backs are carved by hand only, not pre-routed. The mandolins have an adjustable truss rod, locked neck and a tone bars bracing pattern. more information »
|
|
|
|
|
|
SKU: GS9843
More Music is selling this 1956 Gibson ES-225T in very good condition. The ES-225T was a thinline Fully Hollow Electric Archtop made for only 4 years, between 1955 and 1959. Judging by the serial number (U913 20) stamped inside the body, this particular guitar was made in 1956. There is no decal inside the guitar. This guitar plays exceptionally well, straight neck, thin frets show some pocketing, tuners appear to be original, single P90 pickup appears to be original, trapeze tailpiece appears to be original, but I believe the bridge is not original, laminated beveled-edge pickguard appears to be original, no binding shrinkage, only minor cosmetic dings, nicks and scratches, finish checking, awesome sustain. Electronics working perfectly. Much like a slightly fancier 1960's ES-125TC with different tailpiece. Single bound top, back and rosewood fingerboard, pearl dot fingerboard inlays, pearl logo, sunburst or natural finish. Single pickup is neither in the neck or bridge position, but in between the two positions. Some might say you get the best of both worlds. A one-trick pony that rides like a stallion! Comes with non-original hard shell case, with blue plush lining. more information »
|
|
|
|
|
|
SKU: GS9829
This Ukulele is about as OG as it gets. Handmade in Hawaii in 1915 it features all solid mahogany woods on the body and neck and also includes original mahogony friction pegs. The headstock has been expertly repaired due to a crack along the "treble" side and does not effect tuning, playability, or tone. This instrument is perfect for players and collectors alike. more information »
|
|
|
|
|
|
SKU: GS9750
1966, 2 x 12, head & cabinet, misspelled "Colombia", Jensen speakers more information »
|
|
|
|
|
|
SKU: GS9814
Performer series Made in Bozeman, Montana One of the better sounding and playing mandolins in our collection. The label does not specify it was made by Gibson. more information »
|
|
|
|
|
|
SKU: GS9714
1966 FENDER® Jazz Bass More Music is selling this '66 FENDER® Jazz Bass®, sunburst, rosewood fretboard, dot inlays, bound fingerboard, extremely rare round tuning buttons, average cosmetic wear, all original parts, a previous owner once had EMG pickups and a BadAss bridge on this bass but saved the original parts and they have since been put back on the bass, there is no visible trace of this except a slight indentation in the control cavity where the battery was, no routing was done, no extra holes drilled. If you look real carefully you can see the impression of the BadAss. With FENDER® hard shell case, not sure if it is original. Make a reasonable bid and you can be the proud owner of this beauty. more information »
|
|
|
|
|
|
SKU: GS9616
The RS6 Steel String features a cedar top with clear poly finish, walnut back and sides and full faux tortise binding. Bolt-on mahogany neck with hand-rubbed oil finish and a 24-fret rosewood fingerboard. New Zealand Paua shell dots and side fret markers. Kluson style tuners and dual action truss rod. This "Ampi-coustic" guitar was constructed to reproduce full frequency acoustic tone in the electronic recording and performance setting. The thinline body is built like a fine acoustic guitar, but with an added mahogany center block to cut feedback. A Turner Peizo bridge pickup feeds full spectrum signals to an 18-volt Highlander pre-amp with low-noise volume and tone control. Comes with original Renaissance gig bag. more information »
|
|
|
|
|
|
SKU: GS9668
This Blueridge BG-140 slope-shouldered dreadnaught has been upgraded with an under-the-top B-Band pickup installed. The BG-140 from Blueridge features the famous "slope-shoulder" design made famous throughout the 1950's and is still a favorite among players and vintage instrument collectors. This guitars characteristic short scale and large lower bout made from solid mahogany produce a guitar with an incredibly warm, booming tone and unmatched playability! * Solid Sitka spruce top with Saga's exclusive vintage sunburst finish * Choice solid mahogany back and sides * Carved Mahogany, low profile neck with rosewood fingerboard and adjustable truss rod * Dovetail neck joint * Rosewood bridge and bridgeplate * Bone nut and saddle * Open-back vintage style tuners with grained ivoroid buttons * Dalmation tortoise pickguard in a vintage shape * Scale length of 24 3/4 inches and a lower bout of 16 inches for deep warm bassy sound with just the right amount of highs to cut through the mix * Nut width of 1 11/16 inch * The exclusive, "Century Wreath" peghead and fingerboard inlay pattern more information »
|
|
|
|
|
|
SKU: GS9693
Takamine F370SS in excellent condition, solid spruce top, solid koa back & sides, straight neck, no fret wear, comes with gig bag. Specs: Body Shape: Dreadnought Rosette: FLR Design Top: Solid Spruce Inlays: FLR Design - 12th Fret Back: Solid Koa Sides: Solid Koa Fingerboard: Rosewood Electronics: None Tuners: Gold w/Pearloid Buttons Features: FLR Rosette design made of rosewood, walnut, maple and mother of pearl. more information »
|
|
|
|
|
|
SKU: GS9833
The concert ukulele is the next step up in size from the standard (soprano) uke. It has 15 nickel silver frets instead of 12 and a fuller, richer tone. It offers precision die-cast 18:1 tuning machines instead of friction pegs. The ebony fretboard is wider and longer than a soprano, making it a boon for larger fingers. It also allows the option of a low "G®" tuning. The perfect size (and price) for the serious adult or young adult player! Handmade of top quality aged mahogany and ebony. more information »
|
|
|
|
|
|
SKU: GS9690
This is the new Morgan Monroe OOO-size guitar you've probably read about in music magazines. All solid wood, solid spruce top, solid rosewood back & sides, ebony fingerboard, ebony bridge, bone nut and saddle, V neck, herringbone purfling, Kluson-style "Butterbean" tuners, scalloped forward-shifted X bracing, vintage look and feel with a loud booming tone. more information »
|
|
|
|
|
|
SKU: GS9803
Originally released in 1979, the OD808 was one of the first tube-amp overdrive simulators to hit the market. Its smooth, creamy crunch tone caught on quickly, and helped to launch a long line of predecessors as well as imitators. Today, the OD808 design is without a doubt the most used, most imitated and most lauded overdrive circuit of all time. Simply put, the OD808 provides the natural, mild overdrive of a tube amp without sacrificing your guitar's original tone. In addition, it can be used as a clean booster to provide increased gain without compromising the sound of your amplifier. The secret behind the legendary "808 tone" lies in the amplifier section of its circuit. Rather than having an amplifier stage followed by a clipping stage, the OD808 uses a signal-distorting diode (Panasonic #MA150) that is located in the amplifier stage's negative feedback loop (which also contains the JRC4558 IC chip). Therefore, the OD808 distorts signal in the amplifier circuit itself which yields a smoother, milder, more natural sounding distortion than a separate clipping stage. This is also the reason that the IC type used in the circuit has such a large impact on the unit's tone. Maxon developed this unique design more than 20 years ago, and while it is commonplace nowadays, back then it was an industry first. It should be noted that the Reissue Series OD808 uses different output resistors than the original version. After the unit's initial release it was discovered to have a high susceptibility to noise due to static electricity buildup. To improve performance, the positions of the output resistors on the reissue OD808 were reversed and their values increased in order to reduce noise levels. This circuit change has no audible affect on the sound of the unit, save for reducing the noise levels. Whether it's used as an overdrive or a booster, the Maxon OD808 is the closest you can get to the classic sounds of 1970's rock guitar in a compact effect pedal. more information »
|
|
|
|
|
|
SKU: GS9720
Made in Japan, carved body, maple fingerboard, w/case. The Eagle was a FENDER® Strat/P-Bass style guitar/bass with an eagle carved into the body. Maple fingerboard, black dots, FENDER® style head, black multiply pickguard w/ split-coil pickup, volume and tone knobs. These were made between 76 and 78. The actual model number is U1974. Besides the awesome carving work on the body, this is actually an exceptionally good player as well. Straight neck, good action, no buzzing. Volume pot is mildly scratchy. Plays and sounds like a P Bass®, and with the neck profile and pickup very similar, that should come as little suprise. Bridge cover intact. Comes with brown hard shell case, may or may not be original. more information »
|
|
|
|
|
|
|