May 2009 \ Features \ 45 Degrees of Tone: The JTM45 Roundup

45 Degrees of Tone: The JTM45 Roundup

Steve Ouimette

Nearly 50 years since its creation, the Marshall JTM45 remains both a relevant and near-perfect example of what a great rock ‘n’ roll tube amp should be.


Premier Guitar May 2009

(6 of 8)



Mojave Ampworks Special Edition Plexi 45

Anyone familiar with the JTM45 would surely be jealous of Victor Mason. Not only has he seen more than his fair share of vintage Marshall, Vox, Hiwatt and other rare treasures come through his shop, but Victor recently acquired 26 of the all-time greatest JTM45s ever assembled via the Kronemyer collection, and he’s got the pictures to prove it! This is just one of the factors contributing to the obsessive nature of Mojave (and the associated Plexi Palace). Having been around for over a decade on the internet, Vic has been repairing, restoring, buying and selling vintage Marshalls for quite some time now. Stemming from his early desire to find out how EVH created the classic brown sound, Victor embarked on his journey through countless hours of digging into vintage amps and learning where their strengths and weaknesses lay. Mojave now offers an entire line of amps to serve the classic Marshall tones and well beyond with innovative features and designs. The Mojave Plexi 45 also has two very unique features over a stock JTM45. First is a simple feature to allow volume control by way of throttling the power level. Second is a line level output, which is adjustable and incorporates a ground lift.

Standing apart cosmetically from the rest of the amps, the Special Edition Plexi 45 is built on the same footprint as the Coyote and Scorpion designs, with a white-and-black color scheme and chrome hardware. The head is built with an open grille cage that allows for maximum airflow to keep the set of completely NOS glass cool. The 45 supplied for the roundup consisted of a pair of 1970 NOS Genelex KT66s, 3 Mullard 12AX7s and a Mullard GZ34. Like the Germino, the Plexi 45 is based on the R/S transformers, which are custom wound by Mercury Magnetics.

The chassis is a thing of beauty; the .09” thick aluminum, with a high tensile strength and welded edges and seams will ensure it will not flex, bend or develop fatigue, like the early, folded, softer chassis, and will prevent the heavy transformers from causing the chassis to sink in and sag. Mojave deviates from the original JTM45 by using modern, tight-tolerance parts. Custom manufactured caps and metal film resistors allow each amp to sound as close to the one built before it as the one after it. Consistency is something that Vic definitely strives for, and it shows in the build quality and attention to detail, and the desire to add convenient functionality to his amps.

We found in testing that not only did the amp have an extremely low noise floor, but that it was an authoritative and powerfully voiced amp. There was definitely something different in the tone of the Plexi 45; it was cleaner sounding, but still very bold. Having been to Vic’s shop, I was fortunate enough to play one of the 26 JTM45s he had acquired, and I’m positive that the experience with those amps had more than a little to do with the design of the custom R/S transformers made for his Special Edition model. The amp is built like a tank.

mojaveampworks.com




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Comments

(35 comments) display by
UsernameComment
BobC
on 03/23/2013
@W.A.Looker Because they were named JTM45 due to the fact that they had a max output of 45watts. As measuring the power of guitar amps became more about a standardized RMS measurement and less about marketing fluff the "real" wattages started being used. People around when the JTM45 was created still know it as a "45 watt" amp even if under the more accurate measurement it is not.
W.A. Looker
on 10/25/2012
Why does everyone and I mean EVERYONE insist on saying that these are 45 watt amplifiers??? The clones might very well be, but on Marshalls own site it says that the reissues are 30 watts. It might not mean much to some, but if you are going to put it in writing, be accurate.
Joe R
on 08/13/2012
I have a 97 Re-issue (pcb) which performed extremely well for the past 10 years. Currently the board is being replaced with a Ceriatone turretboard unit and 5881's with KT66's. (all due to a funky colored burn on the pcb and strange microphonic type squeal (not affected by tube change in preamp). Can't wait to ressurect this beast!
paul
on 01/02/2012
I live in the UK and bought a JTM45 re-issue new, less than half the price of any of the clones here. And of course I supported British jobs cos the amp is MADE IN BRITAIN. Unfortunately, CELESTION SPEAKERS ARE CHINESE and as such are NOT British. My JTM RI sounds great. I think no amount of amp tone can make up for the tone you get from your fingers, so i am not even gonna read these reviews, I am going to PLAY.
de
on 03/16/2011
i have a jtm 45 reissue from the mid 90's. the original printed board is replaced with a doug hoffman marshall plexi-style point-to-point board and the amp builder had to increase the caps sizes a bit. it's now using 2 el34's, but i want to go back to using paired 6l6's/5881's. in my opinion the jtm 45's have a more mellow, less edgy tone than the jtm 50 w plexis, even when keeping the tube rectifier in there.
Andrew
on 08/23/2010
I have a JTM 45 reissue from the early 90's. This is the last model with the original Drake transformer.. Whoever says the Metro amps and all boutique custom built shit overtaking mine: thick bullshit. 6l6 sound darker indeed than EL34 but this particular baby really smokes... Tried Metro, Germino, Ceriatone, etc.. they are all good, but cannot really tell the difference sound-wise blindfolded.. SG, good cable, JTM 45 cranked, maybe throwing a fulldrive 2 in front of it, man you would love it!
Peter
on 07/24/2009
Just in reply to the man who said we are sheep... you're right :-) When you look at players in the sixties they were doing all sorts of wierd mods, slicing speakers because the distorted sound was groovy baby.... but they also used dual showmans, hiwatts, FUZZ boxes :-) My favourite amps at the moment are a Marshall DSL100 and Fender (red knob) Dual Showman head and they do everything, plus more, that I want... for another bloke it would be a Fender Twin or a Boogie... Don't get me wrong, these were great amps in their day... and when pushed they crank today... but again it's funny making big money from old technology...
Peter
on 07/24/2009
The reason why companies change their product is competition... idiots wanted more and more gadgets built-in to the amp... channel switching, overdrive, reverb, FX, lighter amps, etc... or be left behind in the rush...

You can't beat ONE great tone... and then play around with that... add one great guitar... and a guitarist with "the touch" and bingo... If I became a Satriani on guitar and used a TSL601 combo... and young pups looked up to me... they'd re-issue the TSL in 20 years time :-)

Cheers!
Frank M
on 06/24/2009
One thing I think needs to be pointed out about the Marshall Reissue in this roundup is that looking aththe PCB you can easily see that the circuit was totally modded from the original JTM45 circuit with those larger caps and how they're wired up as well as the fact that the orignal came with 5881s not EL34s so that was a mod as well. Still a great article and about the only one out there that compares them. Now if we could have a good Plexi 100 watt round up would be really great!
trippin
on 05/29/2009
Skeptical of "reissues"? Why did people stop making them? Easy. Making short term cost improvements and the typical kinds of model "upgrades" dictated by a competitive marketplace. The same reason Les Pauls were made with pancake bodies and poly finishes. So I'd say rather the opposite: the sheep were the ones lured to what was peddled as the latest and greatest iron at that point in time. Even the Beatles went all transistor, didn't they? Sputniks and all that mod stuff! That was like the cool thing: "Solid State." Since then we reflected on our musical history and discovered that, hey, whoa, we really liked those old records for a reason. Not everyone, mind you, but some. It's a conscious decision and a conscious goal that has nothing to do with wool bearing mammals, and it's not everybody's bag. So if it's not your bag, that's cool. But no one is "amending" the past. To the contrary, we're recreating it as true to original as possible. We do this because we HAVE learned the lessons of the past. You've got it all backwards, man.



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