Magnatone Giveawya

September 2014

January 2012

ARTICLES

Aguilar Tone Hammer 500 and SL 112 Bass Rig Review

December 20, 2011
In essence, the Tone Hammer 500 is based on Aguilar’s popular Tone Hammer pedal, combined with a class-D power amp.
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Fretboard Workshop: Pentatonic Box Breakout

December 20, 2011
Arpeggios are the musical equivalent of greeting someone by name—it’s the most direct way you can communicate with a chord and it’s going to take your playing up a notch.
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Martin 000-15SM Acoustic Guitar Review

December 20, 2011
Believe it or not, there are days as a gear reviewer where you’ll scream if you have to tweak another knob, dial in another tone, split another coil, troubleshoot
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Red Witch Ruby Fuzz, Violet Delay, Scarlett Overdrive, and Eve Tremolo Reviews

December 20, 2011
Here we check out the Ruby Fuzz, Violet Delay, and Scarlett Overdrive.
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Ampeg GVT52-112 Amp Review

December 20, 2011
Ampeg’s new GVT series, which offers a power range more suited to clubs than Yasgur’s Farm, honors this oft-forgotten part of the company’s legacy with authentic vintage rock tone and styling.
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Fender EC Twinolux Amp Review

December 20, 2011
What’s remarkable about the EC Twinolux is how, like so many great Fender amps, it can be a beautiful blank slate for anything.
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Builder Profile: Teuffel Guitars

December 20, 2011
How one of guitardom’s most forward-thinking and meticulous luthiers transitioned from traditional designs to museum-quality dream machines.
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DVD Review: The Rolling Stones - Some Girls Live in Texas '78

December 20, 2011
With 1978’s Some Girls—one of the Stone’s biggest-selling studio albums—and its resulting US tour, the band reconnected with their gritty, groovin’, and brash roots.
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Noise Begone

December 20, 2011
These tools are amazing—they can take a track that seems way too noisy to ever use and turn it into a much cleaner, nearly noise-free, workable track.
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George Benson: Still the Coolest of Cats

December 20, 2011
Jazz legend George Benson talks about his upcoming signature Fender amp, dissects his incredible picking technique, and explains the thought process behind Guitar Man— his long-awaited return to ripping 6-string work.
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