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Jazz

ARTICLES

Beyond Blues: Scott Henderson

August 22, 2015
Escape the tyranny of vanilla blues scales with some tricks from one of jazz-fusion’s most influential players.
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Concepts and Techniques: Jim Hall

June 27, 2013
Dig into some of the soloing and comping techniques used by jazz master Jim Hall.
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Album Review: Jane Miller - "Three Sides to a Story"

June 20, 2013
Miller ably composes her way through a spectrum of styles, including traditional-sounding jazz, peaceful folk, and quirky blues.
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Interview: John Scofield - Uncle John’s Electro-Jam Band

June 20, 2013
Combining a jazz concept with an electronic-influenced vocabulary, John Scofield takes us behind the scenes of his new album, "Überjam Deux," and dishes on everything from relic’d guitars to Dead tunes.
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Interview: Ronnie Earl - Blues Shaman

June 12, 2013
It’s all about spirit for the Broadcasters’ leader—from channeling mentors such as John Coltrane and Hubert Sumlin, to battling inner demons, to releasing good vibes from the stage to his audience.
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Interview: Martin Taylor and Tommy Emmanuel: Duo de Swing

May 28, 2013
Taylor and Emmanuel discuss the art of solo guitar, ’70s pop music, and why guitar education is near and dear to both of them.
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Album Review: Gilad Hekselman - "This Just In"

May 11, 2013
Hekselman not only embraces the freedom of the format, but also excels both as an improviser and composer.
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Beyond Blues: 12 Keys, Five Shapes, and the Blues

April 2, 2013
Understand how to visualize chord shapes all over the neck and learn how five simple arpeggio shapes can unlock 12 keys.
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Album Review: Boz Scaggs - "Memphis"

February 4, 2013
Boz Scaggs Memphis 429 Records Boz Scaggs is musically complicated. For Memphis, he brought on producer Steve Jordan (John Mayer) who also plays drums on the album, and the rest
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Interview: Double Naught Spy Car - Cheeky Twang Monkeys

January 9, 2013
Double Naught Spy Car''s Paul Lacques and Marcus Watkins on their hilariously heady blend of surf-informed jazz-noir instrumentals.
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Interview: Duane Denison - Jazz-Punk's "Evil Andy Summers"

January 9, 2013
Jesus Lizard guitarist Duane Denison talks about the reunion of supergroup Tomahawk, his aluminum electrical guitar company Axes, and why he hates sustain.
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Fretboard Workshop: Recycling Pentatonics

September 5, 2012
Delve into the world of the dominant pentatonic scale.
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Album Review: Pat Metheny - "Unity Band"

July 9, 2012
Pat Metheny Unity Band Nonesuch Records Over the course of a 30-plus year career, Pat Metheny has experimented with every possible combination of instruments you could think of. With his
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Interview: Wayne Krantz - Inside the Beat

June 27, 2012
The jazz-fusion guru discusses his new star-studded album Howie 61.
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Jazz Bootcamp: Breaking Down Minor II-Vs

June 18, 2012
The minor IIm-V7-Im progression often has people guessing. But as soon as you start exploring some of the different modes of minor scales, you can find sounds that you won’t get from your basic garden-variety major scale.
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Jazz Chops: Arpeggio Blowout

March 27, 2012
Learn how to connect arpeggios in all 12 keys and play ascending and descending shapes all over the neck.
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Album Review: Will Bernard - "Outdoor Living"

March 9, 2012
Will Bernard Outdoor Living Dreck to Disk Records It’s hard to describe guitarist Will Bernard’s latest album, Outdoor Living, without using at least a few hyphens. Is it jazz-funk
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Album Review: Wes Montgomery - "Echoes of Indiana Avenue"

February 10, 2012
Wes Montgomery Echoes of Indiana Avenue Resonance Records The recordings on Echoes of Indiana Avenue show an artist still developing a musical voice while on the verge of taking the
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Album Review: Sean McGowan - "Sphere"

January 10, 2012
It takes a lot of brass to tackle the music of Thelonious Sphere Monk, and when the musician attempting this feat is a solo guitarist, well, that makes the challenge even more daunting.
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Album/DVD Review: Anthony Wilson - Seasons, Live at the Metropolitan Museum of Art

December 20, 2011
or the CD/DVD package Seasons, Live at the Metropolitan Museum of Art, he performs as part of a guitar quartet where the instruments are as heralded as the musicians.
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