Magnatone Giveawya

August Issue

CD

ARTICLES

Ear to the Ground: Bison’s “One Thousand Needles”

July 21, 2014
The Vancouver rock titans deliver a lengthy, two-song EP that veers sharply away from their party-thrash roots and headfirst into doomy sludge.
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Ear to the Ground: Playboy Manbaby’s “Choppy Chad”

July 14, 2014
This prank-punk sextet has no interest in melting your face, but they just might melt your grilled cheese sandwich. Check these dudes out before Hugh Hefner’s lawyers make them change their name.
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Ear to the Ground: Shake Some Action!’s “Colors Exploding”

July 11, 2014
Is this Seattle quartet worthy of naming itself after the Flamin’ Groovies’ most famous power-pop hit. Listen for yourself and see….
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Ear to the Ground: Karl Denson’s Tiny Universe’s “My Baby”

July 10, 2014
For the last 30 years, saxophonist Karl Denson has done stints with Lenny Kravitz, the Greyboy Allstars, and Slightly Stoopid, but this hard-grooving solo effort is where he really hits his stride.
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Ear to the Ground: Las Sultanas’ “Rober”

July 9, 2014
This all-female Spanish garage-rock outfit writes catchy songs that are perfect for vintage B-movie soundtracks.
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Ear to the Ground: Bonfire Beach's “Spit U Out”

July 8, 2014
In the mood for sultry noise rock? Dexy Valentine sounds like she was born to keep rock ’n’ roll dangerous.
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Ear to the Ground: Strand of Oaks’ “Goshen ’97”

July 8, 2014
This coming-of-age anthem about home recording and Casio keyboards features a raging solo from the one and only J Mascis.
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Ear to the Ground: Further’s “California Bummer”

July 7, 2014
The noise-pop pioneers’ out-of-print recordings are finally getting the reissue treatment—and just in time to help guitarist Josh Schwartz’s battle with ALS.
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Ear to the Ground: Parquet Courts’ “Black and White”

July 2, 2014
The Brooklyn indie rockers import ’90s sounds to fuel the fires of 21st-century paranoia and demonstrate how discordance can be anthemic.
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Ear to the Ground: Hiss Golden Messenger’s “Saturday’s Song”

July 2, 2014
Court & Spark cohorts MC Taylor and Scott Hirsch deftly avoid country mouse/city mouse clichés to craft a gorgeous Americana opus that’s an instant classic.
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