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PG's Rebecca Dirks is on location in St. Louis, Missouri, talking with the Smashing Pumpkins' Billy Corgan. In this segment, he discusses his modular preamp system, the handful of pedals he relies on, and his signature Fender Billy Corgan Strats.



Guitars
For most of the set, Corgan uses his Fender Billy Corgan Signature Strats with Billy Corgan DiMarzio pickups in them, tuned to E. For songs in E-flat, he uses his Mellon Collie-era, mid-'70s Strat (also with DiMarzios) that used to be his "I Love My Mom" guitar. For new Oceania songs, Corgan uses recent-issue Fender Jaguars, and he employs a few others on a song-by-song basis, including a Reverend tuned to G for "Violet Rays," a vintage Harmony with Alembic pickups for "Pinwheels," and a mid-'70s Strat with DiMarzios that he says is closest to his Gish-era Strat that was stolen in the '90s.

Amps
Corgan's rig consists of eight preamp modules custom built by Salvation Mods. He flew out the builder, who cloned his personal amps: a '60s Selmer, "Soul" Marshall 2203, Reeves Custom Jimmy (Jimmy Page Hiwatt clone), Marshall Super Lead 1959RR Limited Edition Randy Rhoads, VamPower amp with a fuzz mod (for Oceania material), Diezel VH4, and a '69 Marshall Super Tremolo. This allows him to recreate his classic tones throughout the night.

He uses Mesa/Boogie Strategy 500 power amps (from his Mellon Collie touring rig) modded with different tubes run at half power. A Palmer PDI-03 signal is mixed in with the live mic'd signal from a 1960 Marshall 4x12 cab (also from his Mellon Collie rig) with new Celestion 75-watt speakers.

Effects
Corgan uses a Rocktron All Access switcher (left, not pictured) to switch between his Salvation Mods modules. For pedals he uses a Skreddy Echo (the closest to his preferred vintage Binson Echorec), two MXR Phase 90s used for solos, a Fulltone Catalyst used as a preamp, a Chicago Iron Octavian, a Boss PS-2 Phase Shifter, and a Strymon El Capistan. The only other pedal on the board is a custom pedal he calls the Bloody Finger, which is made by a company that is now out of business. Corgan calls it the best solo pedal he has, saying it sounds like Brian May's Queen tone but with more gain. He uses Keeley loopers to take pedals in and out of the signal, explaining that 90 percent of the show is just the guitar and amps.





Comments

(36 comments) display by
UsernameComment
Roberto
on 01/16/2013
Hey, isn't that a Devi Ever Shoegazer on his pedalboard?

afw
on 01/15/2013
saw this guy smash a lot of nice strats i just dont get it'
MGWF
on 01/08/2013
Most underrated guitarists ever!!!
Gustave Mahler 2
on 12/27/2012
Interesting RR; Billy is straightforward, quick to describe what he's trying to achieve, but modest when talking about himself. I thought his interest in creating a wide range of tones was interesting and definitely highly musical, even if offensive to the "real men don't use effects" weirdos. Orchestral music has always utilized wide-ranging tone colors, and effected guitar tones are fantastic! Clearly, Rebecca was well prepared for this interview.
tim holtze
on 12/19/2012
Believe me there's eventide h8000 being switched in somewhere along the line that never gets mentioned, that's the real secret weapon because there's a ton of it on all his recordings, especially Oceana!
burnt999
on 12/12/2012
Str82dAmp : Jeff Beck & Roy Buchanan come to mind....
gareth
on 11/28/2012
it's funny i always remember billy & co in SP back in the day using Gibson dreadnought acoustics and having decent tone - I would just get a nice reissue (after sifting through several examples) and add the best LR Baggs pickup for the tone he wants - run that through an LR Para Acoustic DI and maybe an Avalon preamp for a bit of Clapton classic yummyness? Some of the new Martins (eg DCPA1 PLUS etc) are really great too if you like the tone of the Fishman Aura preamp ... I suppose when you can afford any guitar or luthier's skills it makes it harder to choose! Personally I like to know if the axe I use breaks there's another 1 in a store near me on the road ...
Got A. Woody
on 11/26/2012
The Gibson (ES)190 with a single P-90 Corgan mentions at 11:40? What is that? A ES-120 or 125 maybe? Also, Dave is correct---those were goldfoil microphonics on the Harmony.
David
on 11/25/2012
@Rebecca, you look beautiful with bangs! :)
David
on 11/25/2012
The Harmony has DeArmond gold foils, not Alembic pickups. Hey "Str82dAmp", go play an acoustic guitar then. Most people use an amp to get distortion. Therefore it's exactly like a stomp box. No one plays a natural electric guitar sound. If you want to hear that, plug your guitar into the board and don't use an amp at all. People like different tones, and great guitarists have been using effects all the back to Hendrix, Clapton, etc. Get off your high horse already.



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