Articles by Mitch Gallagher
The Secrets of Multi-Mic’ing
May 17, 2011
Mic’ing a speaker from the rear of an open-back cab can yield extra low-end booty. In this configuration, an AKG D 3500—a dynamic often used for kick drums—is positioned
Read More
Going The Distance: Using Both Close and Room Mics
April 19, 2011
The ideal mic''ing situation in many cases is to gain the control and isolation of a close-mic’d tone along with the depth, richness, and roomy natural vibe of a sound source mic’d at a bit of a distance.
Read More
Guitar Tracks: The Right Mic, Pt. 4
March 15, 2011
A modern take on classic ribbon-mic design, the Audio Engineering Associates R84 has a figure-8 polar pattern, which captures sound from both the front and rear of the capsule.
Read More
Guitar Tracks: The Right Mic, Pt. 3
February 15, 2011
Before you can make any sort of decision about which mic you might want to use, you need to have a firm grasp of two things: the type of mics you have in your collection, and how each of them sounds.
Read More
The Right Mic, Pt. 2
January 17, 2011
Let’s discuss a few other important microphone characteristics and how they affect the sound the mic captures.
Read More
The Right Mic, Part 1
December 21, 2010
Choosing the right microphone for capturing your guitar sound in the studio is an important part of crafting your recorded tone.
Read More
Eliminate Mic-Placement Guesswork with the "Shavering" Technique
November 16, 2010
Skip the guesswork with this mic placement trick
Read More
Get Big or Go Home
July 22, 2009
Mitch clues us in on some recording tricks to make your guitar tone sound even more massive.
Read More
8 More Steps for Stellar Guitar Recordings
June 17, 2009
Mitch Gallagher shares eight more tips on guitar recording
Read More
7 Steps to Stellar Guitar Recordings
May 20, 2009
Mitch Gallagher shares his tips for professional-sounding recording
Read More