- Rig Rundowns
- Pro Advice
The Mudhoney II is a dirty and sweet classic dual distortion pedal. With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel -- delivering deliciously dirty T-Rex tone all the way. Mudhoney II features the same convenient boost function you'll recognize from the original Mudhoney (now one switch for each channel) and even adds a tone control for each channel -- so you can shape the timbre of your drive to create your own signature sound.
The T-Rex Octavius is their take on this unusual and powerful effect. A tri-tone generator with a perfect set of controls and a Boost function. Octavius lets you get that classic octave-down effect you'll recognize from Hendrix' "Machine Gun" and other recordings. But it also lets you add in a high octave so you can hit your audiences with a sonic wall of three-octave lead lines. You can mix the octaves however you want to create your own signature sound. And the pedal features a controllable boost button to help you lift your solos up above the mix.
The Model 5 features a spruce top, mahogany back and sides, and ebony fingerboard and bridge.
The WD10 Series model features a solid spruce top, quarter sawn scalloped bracing, mahogany back and sides with a satin-finished mahogany neck that is paired with a rosewood fingerboard.
The WD40 Series model features a solid Alaskan Sitka spruce top with quarter sawn scalloped bracing, flame maple back and sides, a satin-finished maple neck with two-way trussrod and is matched with a rosewood fingerboard.
The Serpentine has a paulowina body with a nitrocellulose gun metal Gray finish. It features a one piece quartersawn maple neck with a "soft chunky V-profile and a 9.5" radius. It comes laded with a single TV Jones Power'Tron pickup.
While Jon Anderson handles the designs and forming of the polymer clay used to create his artwork, JP Thomas is the man who builds the instruments (aka Anderson's canvas).
The EX-29 is the perfect headphone for serious musicians and studio engineers. The ultra-fidelity high input speakers integrated with 29dB of passive isolation are incredibly awesome and will not bleed sound into live microphones! The EX-29 is suggested for critical mixing.
The EX-25 is an excellent choice for project studios, personal audio and travel. Using passive isolation technology, this headphone is enjoyable to use by eliminating the expense and hassles of replacement batteries.
The HP-25 offers outstanding hearing protection at a very affordable price and can be used for practicing, shooters and anyone wanting to eliminate unwanted noise from their immediate surroundings. No batteries are required. Compact and light weight, the HP-25 offers uses and benefits even for kids.
Martin's 0-18T is a cool, new tenor model with a solid Sitka spruce top, solid mahogany back and sides, and a traditional 18-style rosette. Compared to the other full-bodied Martin models, it's much smaller, but the 0-18T packs a meaty punch.
The 00-15 features a 00-14 fret body style that can be made with either solid sapele or solid mahogany (top, back, and sides). The bridge is either made of Solid Morado or Solid East Indian Rosewood, while the neck can be created from several choice hardwoods that would be matched with a solid morado or solid East Indian rosewood fingerboard.
The Peterson Stomp Classic combines the timeless 'mojo' of the legendary Conn ST-11 Strobotuner with the most desired features in a pedal tuner to date. Exclusive Stomp Classic features include Peterson's pioneering true bypass circuitry, a host of new Sweetened Tunings that include support for 7-string guitars, electric violin and mandolin-family instruments, along with our renowned built-in, fully adjustable, active DI.
The Stomp Classic's unparalleled note detection and a high definition real-time strobe display resolution of 0.1 cent combined with a host of presets allowing for each instrument's individual idiosyncrasies (including string deflection, interval spacing, and harmonic nature and range).
The Hawaiian Koa Soprano is made with Hand-Selected Hawaiian Koa harvested on the Big Island of Hawaii. Fitted with Maple binding on the top and back, these instruments beg to be played. High quality chrome die-cast tuners will keep your instrument in tune. As with most of our ukulele, active EQ options are available.
The Solid Acacia (Mimosa or Shower Tree) Concert are made from tropical trees that are cousins of the Hawaiian Koa tree. They have gorgeous striped patterns of light and dark brown and have a deep colorful tone that match their visual beauty. These solid wood ukes come sized in Soprano, Concert and custom Tenor with a slotted-headstock. They are trimmed with rosewood edge binding and classic herringbone purfling. Custom position markers accent the fretboard. The Soprano has classic friction style tuners. The Concert comes with chrome die-cast tuners with black buttons and the Tenor has vintage geared chrome tuners. The ukes come with a rosewood fingerboard and bridge and an ebony nut and saddle.
The Excel-SS features a laminated flame maple top, back, and sides complete with bound f-holes. Its neck is a two-piece maple with a center stripe and its fingerboard is made of ebony.
The 16" New Yorker has a carved spruce top and figured maple back and sides.
The Apache solidbody prototype has Lollar Imperial humbuckers and reconstituted fretboard inlays.
The RT503 is a 50 watt, 6L6-loaded (can also come with EL34s), 3-channel amplifier. Its three channels include, Channel 1 - Classic Clean - from sparkling to highly overdriven, Channel 2 - Classic Overdrive - from mild grit to full saturation, and Channel 3 - Modern Overdrive - full hi gain tone. Each channel's controls include Bass, Middle, and Treble (Channel 1 has a Bright switch) and the master controls are Volume and Reverb.
The 1929's design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed ebony pyramid bridge, bridge pins, tuner buttons, head-plate and fretboard. The rosette is an exercise in austere elegance with a rich tortoise ring nestled in a vintage Ivoroid border. It is made with a mahogany body, back, and sides and the neck is joined at the 12th fret.
In the 1920's, the Orchestra Model was originally intended to be a large guitar capable of being heard over other orchestral instruments, hence the OM name. Although it fit the bill, its relatively large body was soon eclipsed by the mighty dreadnought. Fortunately, the OM had secured its place in history as a powerful and versatile voice for public performance. Santa Cruz was among the first modern builders to reintroduce this now smaller bodied favorite at the beginning of the Eighties. Their practice of combining the most desirable attributes of old and new, rather than copying, made for a very successful introduction of the Santa Cruz Guitar Company to a whole new audience. The OM provides clean, loud mid-range and trebles that are complimented by a slightly predominate bass. It features an Indian rosewood body, Sitka spruce top and the neck joins the body at the 14th fret.
The secret to the often superior tone of vintage instruments lies in aged woods (crystallized resins) and the relaxation of tensions built-in during manufacture. This is exactly what we account for in our 1934 D Model. Brazilian rosewood cut in the 1930's, Adirondack spruce top and bracing from the same era and real hot hide glue, that sets glass-like and resonant, give us the foundation for an authentic vintage sound. By applying our singular tuning and voicing talents and taking our time to ensure a relaxed assembly, we consistently access the secrets to the 'Old Bone' sound. The original lacquer formula, nitro-cellulose, is composed of the same stuff as trees; we are protecting and enhancing the sound of the instrument with a fine coating of wood! It is the only choice to complement this heirloom quality guitar.
The Fargen Mini Plex MKII features English classic rock and high gain crunch tones. It pumps out quality tone on par with a 50 or 100 watt Marshall, and maintains this tone at apartment/bedroom levels.
The Mini Plex MKII hand-wired tube amplifier delivers high-energy, cranked tube amp tone at quiet volumes with a mixture of great tube amp design, world-class custom components, and the amazing Kevin O'Conner Power Scaling technology. The power scaling circuit uses voltage manipulation (think variac) to control output volume and power tube overdrives without cutting high-end frequencies like an attenuator does, and allows you to run the amp anywhere from 12 watts down to below a 1/2 watt for the ultimate low volume jamming experience.
The Mini Plex MKII captures all of your favorite British high gain and classic rock tones with the help of our patented "Decade Switch" technology. The Fargen "Decade Switch" gives you 3 different classic sounds/gain structures and morphs between 3 completely different classic British preamp circuits ... the JTM45, Plexi JMP and JCM 800. It features EL34/KT66 /KT77/6550/6L6/5881/6V6 ECT tubes.
This new Fargen design features two channels of English vibe that will cover any and all of your EL84 Brit-tone needs. It all starts with the V15 channel. With its complex jangle and chime, it rings out for days with the perfect simplicity you expect from a classic AC-Brit style tube amp. It then follows with the throaty roar of the M18 Channel -- the perfect opposite of the V15 Channel. The Fargen AC Duo-Tone simply covers more sonic ground than any other 2 x EL84 tube amp you have heard, modern or vintage.