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Guitar Tracks

In our monthly Guitar Tracks blog, recording engineer/producer/author/instructor Mitch Gallagher provides invaluable tips on everything from mic placement to software and hardware to sound control for your home studio.


Guitar Tracks: Getting Down to Mixing

February 9, 2014
A proven mixing method.
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Guitar Tracks: More Track Cleaning

December 16, 2013
Which instrumental tracks need cleaning prior to a mix? And how much cleaning is too much?
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Guitar Tracks: Cleaning a Mix

December 3, 2013
Get your mix ready for prime time with these handy editing and filtering techniques.
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Guitar Tracks: Building a Mix

November 11, 2013
Mitch Gallagher discusses how mixing is about presentation—how the various elements of the music are combined, balanced, and conveyed by the overall sound of the mix.
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Guitar Tracks: Learning Your Room

October 6, 2013
Before you can produce mixes that translate well in a variety of listening environments, you need to get intimately familiar with your own listening space.
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Guitar Tracks: More Mix Tricks

September 3, 2013
Whether you’re mixing studio tracks or a live band in a venue, it’s crucial to have sonic references you can use to quickly gauge the sound system and room.
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Mix Tricks

August 1, 2013
Crafting a mix is a very specialized art form and it takes a combination of tools, experience, know-how, and, of course, ears.
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iOS, Anyone?

July 10, 2013
No matter what style of music you make or how you prefer to work, there are apps and accessories for your iPad or other iDevice that will let you capture recordings and work on your music wherever you find yourself.
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DAW Wars and More

June 16, 2013
Where do things stand with the current crop of top DAWs?
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Keeping the Peace, Pt. 3

May 11, 2013
Let’s talk about how to put the four components of sound control to work in keeping sound from escaping our studios and music rooms.
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Keeping the Peace, Pt. 2

April 15, 2013
In the real world, achieving a truly soundproof space is extremely difficult and extremely expensive.
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Keeping the Peace

March 11, 2013
Sound control is a real problem for all musicians.
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Addressing Home-Studio Hums

February 4, 2013
I’ve received a flurry of questions from readers lately, so for this month’s column, I thought I’d share my responses to a handful of them in hopes that we can
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How Should You Record?

January 9, 2013
When considering using a commercial studio versus a home studio, you have to weigh the benefits and costs.
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DAW Collaboration Roulette

December 10, 2012
Exchanging DAW files with collaborators can be a frustrating challenge
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Choosing Essential Plug-ins for your Studio

November 5, 2012
Convolution reverbs like Altiverb from Audio Ease create their effects by applying the characteristics of real rooms and halls to your signals. The V-EQ3 plug-in from Waves emulates the
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Choosing the Right DAW for Your Studio

October 8, 2012
LEFT: Ableton’s Live is an excellent tool if your productions use extensive audio and MIDI loops. RIGHT: A relative newcomer to the DAW game, Studio One from PreSonus offers
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More On Monitoring Sound In Your Studio

September 5, 2012
Let’s continue our discussion about what I consider to be the most critical component in a studio’s signal path for achieving great results: studio monitors.
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How to Choose Studio Monitors

August 10, 2012
Many musicians spend tons of time obsessing over microphones, mic preamps, and other gear, but then purchase whatever monitors present themselves without a second thought. Big mistake!
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Choosing Between Internal and External Microphone Preamps

July 9, 2012
1. Even a super-inexpensive mic preamp like the $39 Behringer Tube Ultragain MIC100 can provide useful coloration in the studio. 2. A channel strip—like the Joemeek threeQ—offers a one-stop
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