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Fender ’62 Princeton Chris Stapleton Edition Review
July 12, 2019
A bigger speaker and a leap back to handwired brownface circuitry make Chris Stapleton’s signature Princeton a sparkling, sophisticated, and bellowing bruiser.
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Kay Barney Kessel Artist K6700V Review
June 25, 2019
Kessel’s signature Kay returns as a fun, fast-playing rock and jazz machine.
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Martin Modern Deluxe OM-28 Review
June 14, 2019
It’s new school. It’s old school. Medium school, maybe?
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Walrus Audio Lillian Review
May 23, 2019
Wide-ranging, multi-stage phaser enables access to subdued phase zones.
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Fender American Performer Precision Review
May 17, 2019
The venerable P’s latest incarnation brings some modern tweaks, but retains the versatility this classic is known for.
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Daredevil Bootleg Dirty Delay Review
May 15, 2019
Filthy delays—when regular analog dirt just won’t do.
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Abasi Concepts Pathos Review
May 14, 2019
An uncommonly articulate and detailed high-gain machine.
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Reverend Triad Bass Review
April 21, 2019
Joe Naylor's latest 4-string is a triple-pickup champion of versatility, playability, and lookin’ good.
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Orange TremLord 30 Review
April 5, 2019
Transatlantic tones and tremolo mark a deviation from Orange tradition.
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Strymon Volante Review
April 2, 2019
The Milanese monster of magnetic echo returns in DSP form.
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Aguilar Tone Hammer 700 Review
March 20, 2019
This svelte class-D powerhouse churns out 700 watts, yet keeps it light and tight at less than five pounds.
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Schecter SLS Elite-4 Review
March 15, 2019
A lightning-fast neck and a solid electronics package grace this 4-string with a boutique vibe.
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Source Audio True Spring Review
March 12, 2019
The digital gurus’ super-authentic spring reverb emulation offers plug-and-play simplicity and deep-diving customizability.
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