Stompboxtober Day 27: Revv G3

Enter here for your chance to WIN a Revv G3! Giveaway Ends October 28, 2021.


G3

Revv Amplification's Purple Channel 3 is one of the most unique tones in modern amps. Extremely tight & clear with the right amount of saturation for any situation. Now that tone is available to everyone in an amp in a box format that's versatile & feels great under the fingers.

Plays nice with:
Combos, Heads, Pedalboard Rigs, in Effects Loops, w/ Cab Modeling.

Form Factor:
Small Single-Space Enclosure, Standard 9v Power (center negative 9v external power supply only), Durable Construction, Top-Mounted Jacks, Blue LED, Laser Etching.

Mix-Ready --- Smart filtering keeps lows tight & highs present with no mud or ice.

Feels Great --- Constant revisions ensured Revv pedals have inspiring attack & bloom, like your favorite amp.

Versatile --- Fat and warm or tight & bright. Heavy amp-like saturation or light overdrive.

Integrates Into Any Rig --- "Amp in a box" in front of a clean amp, another flavor of gain with a multi-channel amp, easy traveling, great studio tool, works great with analog & digital.

Revv Amplification
$229

Bogner's beastliest amp is made miniature—and still slays.

Excellent sounds in a portable and very affordably priced package.

A footswitchable clean channel and onboard reverb would make it perfect.

$329

Bogner Ecstasy Mini
bogneramplification.com

4.5
5
4.5
4.5

The original Bogner Ecstasy, released in 1992, is iconic in heavy rock circles. Though it was popularized and preferred by rock and metal artists (Steve Vai and Brad Whitford were among famous users), its ability to move from heavy Brit distortion to Fender-like near-clean tones made it appealing beyond hard-edged circles. Even notorious tone scientist Eric Johnson was enamored with its capabilities.

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Intermediate

Beginner

  • Develop a better sense of subdivisions.
  • Understand how to play "over the bar line."
  • Learn to target chord tones in a 12-bar blues.
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Playing in the pocket is the most important thing in music. Just think about how we talk about great music: It's "grooving" or "swinging" or "rocking." Nobody ever says, "I really enjoyed their use of inverted suspended triads," or "their application of large-interval pentatonic sequences was fascinating." So, whether you're playing live or recording, time is everyone's responsibility, and you must develop your ability to play in the pocket.

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