Joey Ryan and Kenneth Pattengale, the songwriters and musicians behind indie-folk favorites Milk Carton Kids, don’t cut corners when it comes to songwriting. Everything gets held under the microscope; everything is subject to change. There’s no ego in the room, just pure service of the song.
Ryan and Pattengale join hosts Sean Watkins and Peter Harper to talk influences—what gets through into your songwriting, and what do you block out?—before digging into a downtempo plucker built around a timeless, folk-country melodic convention. Once the basic pieces are in place, though, things get interesting. The gang calls this “Burt Bacharach-ing it up;” lashing the essential elements tightly to the deck. Word choices are analyzed and tweaked, melodies are shifted ever so slightly, and chord progressions are optimized, note by note.
The quartet settles on a simple, memorable lyrical composition (“An Orbison, one-nugget snapshot”), but that doesn’t mean there isn’t space for some Adam Sandler vocal influence to counterbalance the Nebraska-era Springsteen solemnity.
Visit BOL.education for a free sample lesson, or use code “Song” for a 10% discount on your first non-degree course.
Rhett and Zach go deep on what’s happening across the gear industry, looking at new releases, business trends, and how legacy brands are being reshaped.
This time on Dipped In Tone, Rhett and Zach are digging into today’s best nitty-gritty gear news. Tired of trawling Reddit and forums to figure out what’s going on? Tune in for some authoritative takes from your two favorite tone fiends.First up are the new Line 6 modeling offerings, including the compact, affordable stompbox that’s making waves across the industry. How does it compare to its big brother, the Helix? Is there any hope for a bean-shaped POD revival? Time will tell…
Our hosts touch on the craze around vintage PAF pickups (which was fetching $2500 for a pair), and compare the Gibson and Fender economy lines: Who makes the better entry-level instrument, and are the budget models starting to lap their more expensive counterparts?Later, the duo runs down the best-in-class Ed Sheeran signature looper before moving on to the landscape of legacy brands. Is Marshall still relevant outside of their barbershop-ready Bluetooth speakers? How is Hiwatt beating them in the race to digital? And what will happen to our favorite gear companies when they’re bought up by investment portfolios?
Stick around for all this and more, plus an update on Zach’s “Gotta Catch ’Em All” Tubescreamer hunt.
The well-known heir of rock royalty breaks down his own takes on his father’s fiery techniques—and gives an up-close look at rock’s most iconic guitar.
Being born into rock royalty doesn’t make you a rock star—you’ve gotta earn it with your own chops. And whether it’s the classical pedigree of his first name or the hard-rock infamy of his surname, Wolfgang Van Halen has a long lineage to live up to. As he displays on this episode of Shred With Shifty, he’s more than up to the task.
Wolf joins Shifty to teach the blistering, tap-heavy solo for his song “Take a Bow,” from 2023’s Mammoth II. It follows in his dad’s footsteps, sure, but it also shows Wolf has a voice and vision of his own—both of which are just as potent and theatrical as his father’s.
Wolf treats us to a tour of his new signature semi-hollowbody EVH model, the SA126, with details from EVH managing director Matt Bruck. But he doesn’t hold out on the family jewels: Wolf shares the story of his father’s iconic Frankenstein Strat and brings it on the show, with some extra dirt on his dad’s journey from Marshalls to his signature Peavey 5150 amps. When Shifty asks who’s stewarding his father’s invaluable gear, Wolf eases our concerns: “If the world ended, they would still be okay,” he grins.
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
If you can’t figure out how to play Joe Bonamassa’s solo from “Blues Deluxe,” don’t worry. Neither can Chris Shiflett. But it all changes when Shifty sits down with Bonamassa for this special episode of Shred With Shifty. No surprise that both of them reach for their Les Pauls, and Bonamassa even reveals why he switched from Strats to Gibsons in the early 2000s.
Bonamassa is known for his dazzling collection of vintage guitars—which he says has become a target for haters—but he explains that you don’t need a ’58 Les Paul to get the goods. “It’s also the mystique,” he says. “If Jimmy Page played a Tokai, everyone would want a Tokai.” A guitar made two weeks ago, he says, is just as good as a classic.
Bonamassa’s lightning-quick soloing style, which conjures a hurricane of major and minor pentatonic notes with some phrygian flair, is the stuff of legend, and his tricks on “Blues Deluxe” are plenty. Even though he tries to adhere to a “divide by two” rule to simplify his phrasings, he still stumps Shiflett with a volume swell trick he learned from Roy Buchanan and Danny Gatton.
This solo is no walk in the park. Any brave takers up for giving it a shot? Share it and tag us so Shifty can have a look! Most importantly, remember to have fun. “Do whatever you want with the damn thing,” says Bonamassa. “It’s just a guitar.”
Credits
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering Support by Matt Tahaney and Matt Beaudion
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Jazz guitar philosopher Julian Lage talks about his relationship to amps, how he builds his sound, and why he doesn’t like transcribing.
Rhett and Zach are joined on this episode of Dipped In Tone by soft-spoken jazz guitar master Julian Lage. After Zach shares some last-minute production headaches with Mythos’ new Herculean Deluxe, Lage sits in for fascinating, spirited dive into how he thinks about tone, composition, and his new record, Speak To Me.
Rhett and Zach are joined on this episode of Dipped In Tone by soft-spoken jazz guitar master Julian Lage. After Zach shares some last-minute production headaches with Mythos’ new Herculean Deluxe, Lage sits in for fascinating, spirited dive into how he thinks about tone, composition, and his new record, Speak To Me.
Did you know that Lage gets to know his guitars by doing direct into his DAW, and that effects pedals kinda terrify him? He doesn’t like transcribing, either—he’s got a unique take on studying Robben Ford solos. Listen in to find out why, and hear about the best guitar lesson his father ever taught him.