- Rig Rundowns
- Premier Blogs
This first example is in the key of D major (D, E, F#, G, A, B, C#), except the Bb note in bar 2, which is derived from the D natural minor scale (D, E, F, G, A, Bb, C). There is a cool string-skipping pattern at the end of bar 2 that repeats down the scale. This one can be tricky, be sure to follow the suggested fingerings. Download Example Audio: Figure 1
This next example is from a tune of mine called "Heavy Thing" on Electric City, it begins at about 1:41 in the song. This example is based from the C natural minor scale (C, D, Eb, F, G, Ab, Bb). The first bar uses some pull-offs that creates a smoother effect, but you could try alternate picking every note.
Download Example Audio: Figure 2
This line is also from the tune "Heavy Thing," and it begins around 2:37. It is similar to what I played on that track and can be a great picking exercise. Try to keep repeating it. You could also experiment by using pull-offs for all of it. Download Example Audio: Figure 3
In the final example, we have a string-skipping idea that cycles through some chords using arpeggios. This line is based out of the E Mixolydian scale (E, F#, G#, A, B, C#, D). If you analyze the arpeggios, the first bar is basically a E5 to Esus4 to E major. The second measure is a D5 with an added #4 to D major and to Dsus2 and the last bar winds down with a pedal point line. Download Example Audio: Figure 4
OK, that's it for this month! Be sure to make up your own examples using these techniques, and learn more about my new album at mikecampese.com.